Masashi Yamamoto

A sequel to the 1980 movie The Legend of the Stardust Brothers. As well as being a rock musical comedy, it also borrows elements from other genres such as road movies, westerns, and meta fiction.

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A Crowd of Three tells the story of two men, Kenta & Jun, who grew up as almost brothers at a children's facility. Kenta & Jun now works as part of a demolition crew but become fed up with their jobs. The friends then decide to take a road trip up north to visit Kenta's brother at the Abashiri prison.

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Rou has returned to the monastery he was raised in. As he listens to the whispering of the Gods through his germanium radio, Rou defies God in every which way and puts religion to the test.

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A private detective takes on an assignment to return a girl, who is set to marry into a prestigious family, from a mysterious commune in the forest.

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Mike Hama, Private Detective, is a chain-smoking, wisecracking tough guy with a weakness for the ladies and a soft spot in his heart, especially for his kid sister Akane. Mike's so down on his luck he'll take any case, from finding a lost pet to spying on cheating spouses. But every now and then, along comes a client with dubious and dangerous case… and that's when Mike shows his stuff.

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Broke, with his vintage Nash convertible repossessed, private eye Mike Hama is reduced to combing the mean streets of the Yokohama waterfront on a borrowed bicycle. But when Lily, a beautiful stripper from out of Hama's past, returns to town, the fuse is lit on a criminal powder keg set to blow the lid off the Yokohama underworld.

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Set in Tokyo, Ice brings her amnesiac older brother Haruo home from the hospital to care for him. He is reluctant to go, until Ice tells him that she is his lover. Since he has no memory of his sister Ice, he obliges her. How long until his memory returns?

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In consequence of his professional mistakes and declining career, Shuji and his family, the Sasaya’s, are forced to leave the wealthy suburb of Tokyo. The move is slow, long and heartbreaking, and the two Sasaya children, an old teenager and a young adult, unwittingly turn the grieving process into an exuberant and unpredictable farewell party!

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A sect is threatened to fall apart, when its leader, a young Korean woman, develops doubts regarding her alleged psychic powers.

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Film in the second group of works from the hands-on filmmaking academy Cinema Impact, produced by director Yamamoto Masashi with the participation of 13 up-and-coming directors. An ensemble comedy that adapts a theatre piece performed in 1997 by director Hashiguchi Ryosuke, whose renowned films include All Around Us and Hush!. An aspiring filmmaker visits a film production company the day before a shoot is scheduled to begin. The tangle of participants includes a stylist, a producer angling to raise cash, and an assistant director scrambling to fulfil crazy demands.

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Seven women and one man gathered for the first anniversary of a movie director. Six cameras recorded the night at the same time with 8mm insert.

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Three stories, depicted in three different styles, unfold in three locations: "Kyoto", a lyrical improvised drama based on documentar y footage following local rappers, which is blended with fiction; "Okinawa", a documentary about intriguing characters who Yamamoto met by chance; and " Tokyo", an otherworldly love story about a man dealing with loss who drifts through life, and a woman who pretends to be his deceased wife.

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When Ryo, a young magazine reporter, moves into a new apartment he is greeted by the passionate sounds of his astonishingly beautiful neighbor Satsuki. Realizing the wall dividing their apartments is paper thin, the captivated journalist begins to eavesdrop on every detail of the girl next door's life: her conversations, her bubble baths... her breathless cries.

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A girl sees every day a woman on a cycle who might be a ghost.

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A ganguro girl named Eri travels to NYC to visit her lover.

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Junk Food consists of four intertwining stories. The first and fourth sections show the morning routine of an blind, old Japanese woman, waking up, buying bread and milk, praying at the family altar; however, it is the second segment where the true story begins.

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"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.

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When a Hong Kong teenager from a poor family wins a trip to Japan, he unleashes a chain of events that will soon bring him from his secluded fishing village to Tokyo. On the way, he connects with a barely competent tour guide and a gender-fluid pickpocket. Upon returning home with this merry band of schemers, he and his family of counterfeiters discover that a multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade.

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Kumi lives a hippie-like life in Tokyo's outskirts. One night while drunk she stumbles into an abandoned industrial site, except in addition to deserted factories, it is full of forests and greenery. She decides to move there, even further away from the civilization she had already left.

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The newly divorced singer Kumi is not too enthusiastic about life as a single mother. She drops her son to her ex-husband, leaving her band and embarks on a crazy tour of Tokyo's shadowy side.

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The daily life of young people at the dawn of the 1980s. One of them murdered passers-by in a park, shooting at random with a gun. One day, she meets a burglar who poisons her victims and confides in him.

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A young man idles around Tokyo, collecting materials to construct a diorama of a cityscape.

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