An In-sook

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Young-Hu and Young-Wuk are half brothers and felt uncertain intimacy even though their personalities are totally different. At the first moment he saw Min-Jeong, Young-Wuk's girl friend, Young-Hu fell in love. He avoided her intentionally but the day his biological mother remarried, he happened to spend a night with her in a complicated feeling. After that Young-Hu got the blues due to sense of guilty and Young-Wuk was despair as Min-Jeong confessed him she loves Young-Hu. As he found Min-Jeong's pregnancy, Young-Hu hated shady new life and made fun of Min-Jeong and himself. Thus enraged Young-Wuk madly drove his car to the running train with Min-Jeong.

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A man and a woman fall for one another, but she is haunted by her troubled history with men.

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A depiction of the life and fate of a physically weak woman who has strong maternal love.

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It is during Japanese occupation in Machuria. As master of Tae Keuk Kwan, a hapkido gym, Mun-Ik falls ill and Mun-Pyeong is absent for his training, Kondo makes a challenge with Sa Cheol Wang and Sam Cheol In to Mun-Ik. Although Chung attacks Kondo to revenge for his murdered master, he is seriously injured. He takes a refuge in a mountain where he waits for Mun-Pyeong. Mun-Pyeong appears in disguise of a buddhist monk and pretends to ignore requests from his fiancee Wang-Ryeong who is Chung's sister, Wang Dae In and even his pupils. But he kills three iron men first. Though Kondo allures Mun-Pyeong by using Wang-Ryeong and Wang Dae In as a bait, Mun-Pyeong kills Sa Cheon Wang with his unbelievable martial art. After all he confronts with Kondo and finally kill him. After that he leaves with Wang-Ryeong.

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Nam-Ok who has Yun-Ho and Yun-Suk remarries widowed Heung-Yeol who has Hyeong-Tae and Hyeong-Ja. Nam-Ok are concerned about frequent quarrels between half brothers and sisters, but manages to deal with them wisely. As Yun-Ho who went to fishing with him falls into the water, Heung-Yeol tries to save him only to drown himself to death. Fifteen years later, Hyeong-Tae goes abroad to study while Hyeong-Ja lives in extravagance in Seoul. Yun-Suk gets to know Dong-Oh on the train, and Dong-Ho gets to like her, but later misunderstands her due to Hyeong-Ja's scheme, which causes Yun-Suk to commit suicide.

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Bun-rye, the eldest daughter in a poor family, is violated by Yong-pal, who is a married man, and out of desperation she becomes a concubine of Young-cheol, a gambler who is impotent. Kong Jo-shi is in love with Bun-rye, though she still has feelings for Yong-pal. After losing his money, Young-cheol takes out his anger on Bun-rye and throws her out of his house. In retaliation, Jo-shi kills Young-cheol, and Bun-rye is driven to madness.

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To save her father's bankrupt business, Eun-hui leaves her lover Ji-hun and marries Yu, a rich businessman. However, their marriage is working well. Ji-hun pleads and begs Eun-hui to come back to him and even threatens Yu to let her go. Yu fires a shotgun to Ji-hun, injuring him. As Eun-hui's distressed father has a serious car accident she returns to her husband, following her father's wish.

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Gu Bong-seo and Kim Hui-gab are good buddies. Bong-seo has no where to go, so he lives at Hui-gab's place. Naturally, Hui-gab often gets into quarrels with his wife, and Bong-seo gets involved to help them reconcile. One day, Bong-seo wins a lottery. He saves Hui-gab from the financial trouble and returns to his hometown with the rest of the money.

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Hye-yeong reclaims her son from the boy's father and moves back to Seoul where she starts a business with money that she believes came from her brother. It is, in fact, from Shin-ho--her ex-lover. Shin-ho is driven to backruptcy because of his generousity and his wife pleads with Hye-yeong to leave Seoul for the sake of her husband's piece of mind.

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Bok-nyeo gets married to a poor Joseon's aristrocrat and lives a hard life to survive.

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King Sukjong assigns Jang Ok-nan, a court lady, as a concubine overnight. Jang plots to drive the current Queen into exile.

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This film concentrates on a group of people who have trouble adjusting to mainstream society. From a woman running away from her previous life, to a man with a terminal disease, to a pop artist misunderstood by his contemporaries, the film looks on with sympathy and compassionate humor on a set of people who, for whatever reason, just don’t fit in.

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