Makis Arvanitakis

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Portugal's Fernando Pessoa and Greece's Constantine Cavafy were two of the greatest poets of the 20th century, and the literary giants finally met in 1929 aboard a transatlantic ocean liner carrying immigrants to the U.S. This genre-bending documentary from Greek filmmaker Stelios Charalambopoulos blends truth with fiction in imagining what that meeting must have been like, offering an innovative mix of archival footage and fictional re-enactments of the poets interacting with one of the ship's immigrant passengers.

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Athens, mid-August. Tsiou, addicted to substances, while trying to get his dose, mixes a number of people to his search through his sister and her mobster husband. A chain of meetings follows where the pressure passes from one to another.

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The world of adults through the eyes of a child: Intrigues, joyous breaks, illusory and conflicting interests, misunderstood pursuit of love, gestures of affection, dull faces, all make up the background of 7 years - the pinnacle of kitsch - captured on an old-fashioned movie poster at the edge of a dirt road in Thriasio Pedio.

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The historical facts in Asia Minor, in the years 1920-1922, are told through the life story of a young Greek woman.

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A crime that took place somewhere in the Greek province is covered by the media. Everyone is looking for answers, but the small village community knows that the victim was a father-master who had an affair with his daughter.

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It is based on a true story, where a young soldier and the wife of a revolutionary guy falls in love while in the background we witness political turmoils of Greece at that time.

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The adventures of a vulture, an exquisite, handsome and particularly charming man who loves and is loved too much by women.

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After 11-year-old Petros loses his father in a car accident in Melbourne, Australia, his mother decides to move the family to her homeland, Greece. Petros has been planning to run away from home ever since the big move. After persuading his classmate, Adonis, to join him, the two boys decide to make the journey to Australia together. Their parents look for the children all over Greece to no avail. The only one who knows the boys' whereabouts is their best friend, whom nobody believes. Petros and Adonis' pictures are published all over the press, but no one comes forward with any information. Meanwhile, the boys continue on their journey...

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A music composer tries to deposit money in his bank one morning, and is accused of counterfeiting. Harassed by the police, the gang of counterfeiters and a stranger, he becomes panic-stricken. The unjust charge brought against him ignites his deeper feelings of guilt which stem from his sterile existence and, mainly, from his inability to produce creative work. Then he flees and begins wandering in an unfamiliar "country" where his painful adventures will finally prove redeeming. The film is an existential drama in the form of a "dreamlike" thriller.

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