Raimonds Celms

The epic story of one of the most iconic Latvian rock bands – Jumprava [Yumpravah]. The feature film tells the story about how the electronic rock group Jumprava was founded in 1984 and how it evolved throughout the years until 1991. With their songs and their unique style, Jumprava encouraged the “third awakening” in Latvia and inspired young people to dream big on this side of the Iron Curtain.

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A young woman in Stalin-era Riga joins a basketball team, hoping that she will be allowed to travel abroad and see her brother who's living in exile.

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Adam, a man from the capital, lands a job in a postal office of a quiet town. His boss, Anita, a small-town Marilyn Monroe, has two concerns - a lack of romantic partner, and a battle with a rival postal office nearby, as one of them will be closed. Adam becomes enchanted by a woman who works at a nearby cafe, while her colonel father is too shy to express his feelings towards Anita and writes anonymous love letters instead...

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When the leader of a brutal criminal community violates the rules of historical regulations for 15 years, a hostile chess player hits through a dozen bodyguards and begins a fight to restore justice.

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It's 2009 and two brothers, Laimonis and Ojārs, unexpectedly become participants in a strange TV game in the hope of winning a new car. Their mission? To be able to keep their hands on the coveted car longer than the other competitors. The rivalry, which started out as a playful spat, gradually becomes more and more fierce.

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A story about Emīlija Benjamiņa, the “queen of the press” in interwar Latvia, whose wealth and tragic fate have since become folklore. The film’s narrative covers the period from the beginnings of Emīlija’s magazine Atpūta (Recreation), to her arrest and slow demise in a train en route to Siberia. The most prominent clairvoyant of the time - Eugene Fink’s prophecy that Emīlija would die from starvation in a foreign land (which served to be true) weaves through the narrative as a red thread. With this strong woman at the centre of the story, the film shows Latvian society in all its richness and gives the audience the opportunity to meet many well-known historical figures.

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The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.

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Two twenty-somethings from Latvia meet in the south of France. Leo studies restoration, Anna has lived in Marseille for some time and works as a hairdresser. Also, she looks very much like the image of a girl that Leo has uncovered restoring an altar painting.

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After losing his leg, ex-cop Didzis focuses on training his three beloved police dogs. His estranged wife Jana, a doctor at the local sports school, seeks romantic fulfilment with Roberts, a 17-year-old student and a promising swimmer. After a secret randez-vous, Jana hits a rabid wild boar with her car and eventually spreads the virus to Didzis’ dogs. The accident ignites dark suspicion and jealousy in Didzis. Busy with finding and punishing Jana’s secret lover, Didzis overlooks the ever-growing strangeness and aggression in his now infected dogs. Just as the love triangle becomes toxic, the dogs escape and threaten the local town. Facing both personal and professional fiasco, Didzis decides to take matter in his own hands.

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Cleo is a once promising actress in her 30s with a career in theatre that’s going nowhere and a boyfriend who still harbours the dream of becoming a famous rockstar. She spends her days in a bohemian haze of booze and ennui, until she meets a legendary theatre director who is on the lookout for a new muse. He offers Cleo the biggest role of her career - The Bride in Federico Garcia Lorca’s “Blood wedding”. Cleo tries to turn her life around, but her co-dependent boyfriend starts to slip back into his old, self-destructive ways, and the director wants from the actress more than just her talent.

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