Tomoko Inoue

In a playful critique of Japanisme, the craze for Japanese art and design in Europe in the mid-1800s often rife with misunderstanding and projection, Honeymoon recasts the wedding scene of the opera and film Madame Butterfly.

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In the throes of an existential crisis, an aging director decides to travel to Japan to film the tour of his son's rock-band, PEROPERO. His partner Emma acts as producer as they follow the band's performances in a string of live clubs across Japan. When the director falls hard for the young Japanese tour manager, both the film shoot and his life threaten to fall apart.

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Tomoko couldn't sleep all night. She bought a house and can't pay the mortgage. Tomoko is a banker, and she mainly goes out on the road, but her performance is not good. She nand her husband discuss money, but as usual, she says she'll do something about it...

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Rokuro Saito was hired as a gardener for the Kawarazaki family. The beautiful mistress of the house, Kyoko, who greeted Rokuro, was a widow with two daughters, Sachiko and Rei. Also living there were Rei's tutor, Kaori, a creepy male servant named Nanbara, and the maid, Misako. Rokuro was eager to take on the job, but Misako was cold and distant.

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