Aleksandr Tsypkin

Actresses and media stars read funny, sad, philosophical, and most importantly, lively monologues from modern parents with their worries, simple and complex questions and emotions at the same time. They are "imperfect", and that is why they are the best for their children. The goal of the project is to show that it is possible! Monologues will draw a lot of recognizable pictures in front of the viewer: parents are making school crafts for a child at night, a mother gives her beloved child a coveted dance costume at the last moment before the performance, and a mother and daughter skip work and study to explain themselves together to their superiors and a strict class teacher. Viewers will also find funny and recognizable stories about how disturbing it is to wash in the bathroom while a child is watching a cartoon and how the first experience of motherhood differs from the third.

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Physical and virtual reality have long been united for a modern person. Now it's the turn of sports. The series explores the concept of a new sport born in Russia, which combines physical and cyber disciplines. The authors talk about the reasons for the appearance of the project, introduce the concept of digital in everyday life and ask questions: is there a place for digital sports in our time and how it can be useful?

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Fourteen-year-old Sonya unexpectedly learns that her mother lied to her about her father's death for many years, and forbade him to communicate with her daughters. Unable to forgive such a betrayal, she runs away from home. Mother and older sister Sasha find Sonya at their old dacha, where no one has visited for many years. Three women are forced to finally talk through all the problems, grievances and fears that have been so carefully hushed up for years. This begins the long journey of restoring family ties.

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Maxim is cornered: absolutely uninvited guests come to him and ring the doorbell. A man tries to get out of delicate situations in his own manner.

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The documentary series "Exit to the city" allows you to look at Moscow carefully and from different angles.

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Forbes-listed entrepreneur Snezhana Serpukhovskaya attends an interview with popular feminist blogger Ilona Mast. But then things don't go according to plan—or rather, according to something unforeseen by all involved, but precisely according to Snezhana's own plan.

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Collection of satirical sketches, telling about the decent inhabitants of the Patriarchal Ponds and their obscene stories. The series includes touching, outrageous and full of love intimate stories that are not accepted to speak out loud.

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Every day we have new interesting guests and the most relevant topics. We stream and discuss important issues with guests. We tell you how to perceive the news correctly so that you do not panic and live in pleasure. We tell you how to perceive the story correctly so that you cannot be misled. We invite the most competent and interesting interlocutors especially for this.

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The monologue of a grown-up woman, whose husband is leaving her for his young mistress. The viewer does not know until the final frames whether the heroine is actually speaking with her husband or simply rehearsing a future conversation, in which she thanks her husband for the time together, assures him that his decision is the right one, confirms his honest choice of heart, and remembers the touching moments of their past, releasing her husband and promising to cope with loneliness. And only the unexpected finale uncovers for the viewer the woman's true desire in this moment.

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In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

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Maxim is cornered: absolutely uninvited guests come to him and ring the doorbell. A man tries to get out of delicate situations in his own manner.

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Anna is a successful lawyer who does not hesitate to tell her longtime friend Larisa that she wants to choose a "husband for three months", since she has a complex project and needs a lightning rod and constant sex. Two ideal options reached the final of her selection: a young technocrat pedant and an aged businessman reveller. Both are successful, both are interesting, and both are passionate about her. However, suddenly She finds out that her life will sparkle with new and not the fact that bright colors. She's going to be a grandmother. The obtuse son returns from England with his Pakistani daughter-in-law. So now Anna chooses not a "husband for three months", but a grandfather for her granddaughter.

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The musical film almanac will tell you what worries modern teenagers during adulthood: first love, jealousy, envy, first sexual experience, acceptance of their body and sexuality, separation from adults and attempts to prove their importance, loneliness. Each of the short dramas and melodramas in the project is inspired by a popular song.

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An almanac of three stories.

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Hate posts in social networks have driven 13-year-old Maya to an attempted suicide. The girl was saved, but the mother decided to find the offenders and take revenge. With the help of a friend in the security service she finds one of the instigators of the hate campaign: Katya Ryabkina. The attempted revenge forces the heroines to come to terms with their own lives.

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Rare parents, only very responsible and loving, walk in the winter with their children, many are happy to entrust these cares to nannies, grandmothers and older children. But Olga and Igor are not like that. They are honestly engaged with children on the slide, play, freeze, but fulfill their duty. Although, to be honest, they are a little bored. And they willy-nilly begin to look at each other, gradually drawing in their heads each their own image of the other. They already really want to start communicating, but upbringing, stereotypes and a story invented by everyone about a vis-a-vis prevents them from taking the first step. It already saddens them, because they really liked each other. Suddenly, children loudly reveal family secrets. It turns out that Igor is not a father, but a brother, and Olga is not a mother, but a grandmother in general. And both of them are free.

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Forbes-listed entrepreneur Snezhana Serpukhovskaya attends an interview with popular feminist blogger Ilona Mast. But then things don't go according to plan—or rather, according to something unforeseen by all involved, but precisely according to Snezhana's own plan.

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The loser Innocent wants to commit suicide by jumping from the roof. At the moment when he is almost taking a step, the main character appears on the roof. She convinces Innocent not to jump with a funny, daring, sometimes tough, but very logical and somewhat sincere conversation, because, among other things, he has not yet fulfilled his purpose…

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During a spur-of-the-moment trip to St. Petersburg, chief financial officer Elena unexpectedly meets the man of her dreams – and then, equally unexpectedly, loses him again. She has nothing to go on, so she breaks out everything she's got to hunt him down: logical deduction, supernatural forces, her friends' help, a new guy she's met, a retreat, and much more. Since she was a little girl, Elena has always "taken life at a march," climbing the career ladder with frankly alarming determination, never letting herself get waylaid by romance or relationships. She's always been like that – right up until this weird, accidental, incredibly lucky meeting. In the new episodes, Elena gets back to hunting down the one that got away, using every aboveground (or underhand) method available to her. She rushes headlong into it, makes mistakes, falls down, but keeps going, making the difficult journey toward love and affection, and, most importantly, finding herself.

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Collection of satirical sketches, telling about the decent inhabitants of the Patriarchal Ponds and their obscene stories. The series includes touching, outrageous and full of love intimate stories that are not accepted to speak out loud.

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A movie almanac of five short stories about happy accidents.

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Ksenia Rappoport’s shrill monologue about the horror of a beautiful woman growing old, which turns into a lyrical and light story about love.

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Parable of men's promises and torments of conscience. The main character is time to finish with a drink. In the morning, a whistle suddenly appears on his neck, and an unknown girl in bed. And everything would be fine, but the wife will be any minute.

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An experienced inspector suspects a cardiologist of murder. But he has doubts, as he does not understand why a kind, intelligent woman would commit the cold, planned murder of her rival, for whom her husband left her long ago. Jealousy? A sense of ownership? In exchange for the truth he offers information which may change the view of the potential criminal.

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Nothing is forever. Everything passes. Are you sure? And a woman’s insult? Vera has come with her grandson to see her old childhood friend, Yura, and wish him a happy birthday. She has come with a gift that Yura remembers all his life. The remaining life.

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Anna Karenina in modern realities.

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One day in the life of Elena Ivanovna in St. Petersburg in search of a man, sex and, maybe, love.

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The two school friends Bingo and Roma happen to meet on the street and decide to celebrate this event. They go to a nearby bar, where Bingo complains about his difficult life: supposedly he has no luck with girls and suggests they continue the celebration at Roma’s place. But Roma admits that they can’t go to his place, because he has a “grandfather” who rents his apartment for rendezvous twice a week for two hours. The puzzled Bingo tries to find out who the “granddad’s” beloved is, who pushes him to such feats, despite his old age. A little tipsy, they go to Roman’s place to track down the mistress...

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The monologue of a grown-up woman, whose husband is leaving her for his young mistress. The viewer does not know until the final frames whether the heroine is actually speaking with her husband or simply rehearsing a future conversation, in which she thanks her husband for the time together, assures him that his decision is the right one, confirms his honest choice of heart, and remembers the touching moments of their past, releasing her husband and promising to cope with loneliness. And only the unexpected finale uncovers for the viewer the woman's true desire in this moment.

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The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.

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Vadim Artyukhov, deputy mayor of the provincial town of Karatovsk, is used to solving everyone's problems. He's exhausted: everyone constantly wants something from him, and he has no time to consider what he wants. Artyukhov faces a difficult choice: continue his usual career as a civil servant, maintaining his relationship with his wife, who could eventually lead him to the mayoral post, or take a risk and start a completely different life, one he's long been afraid to even dream of, but one that the progressive and highly honest scientist Slivyankina is pushing him toward. His own mistakes and the need to make honest decisions become his most difficult test. Putting off the decision becomes impossible: the sudden threat of a universal apocalypse arises. Local astronomer Udodov records an object hurtling toward Earth. The authorities secretly build a bunker, and Artyukhov struggles to save the townspeople and finally decide what kind of person he wants to be.

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