Marina de Van

As a novelist, actress/screenwriter for François Ozon and director, Marina de Van is fearless, always eager to deal with taboos and expose herself. Mostly home-made and shot under the radar, Ma nudité ne sert à rien is a brave self-portrait of de Van as a forty-something wandering soul, asking herself about her work, body and relationships in the age of dating apps and one-night stands.

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Niamh is the lone survivor of a mysterious massacre in which the furniture and objects in her family’s isolated house took on a monstrous life of their own. The police ignore her wild stories, and the neighbours and social worker who take her into their care try to introduce her to a new life. But Niamh is unable to leave her violent past behind her, endangering everyone who crosses her path.

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Children encounter a kid-eating ogre.

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Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.

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The day of David's wedding, Robert, his eighty-two-year-old father, who is physically ill and who is beginning to go slightly off the rails, asks for his son's help in finding him a woman. Struggling to understand this incongruous request and balking at betraying his mother, David is evasive, then hesitates. He's never had the affectionate sharing and complicity that he'd hoped for with his father ; what if this request were the opportunity to strike up the father/son dialog that is so badly missing ? David goes on a stroll with Robert and the two men soon find themselves searching for prostitute for the elderly man.

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After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.

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While cycling through the streets of Marseille, Alfredo, a young Italian student, crashes his bike. Seeking help, he heeds a strange call from a porn cinema from another time.

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He thrilled you with 'Swimming Pool', tickled you with '8 Women' and beguiled you with 'Young and Beautiful'. Dive into the the erotic twists and transgressive turns of the early short films of auteur director François Ozon. The 5 short films are: A Summer Dress [Une robe d'été] (1996); X2000 (1998); Truth or Dare [Action vérité] (1994); See the Sea [Regarde la mer] (1997); Little Death [La petite mort] (1995).

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As a novelist, actress/screenwriter for François Ozon and director, Marina de Van is fearless, always eager to deal with taboos and expose herself. Mostly home-made and shot under the radar, Ma nudité ne sert à rien is a brave self-portrait of de Van as a forty-something wandering soul, asking herself about her work, body and relationships in the age of dating apps and one-night stands.

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Diane lives with publisher Hermann but everything is spoiled when Worms, Hermann’s loyal author and friend, reveals in his new book the affair he once had with Diane, in a highly subjective manner. She soon discovers the contents of the work, which Hermann tries to hide from her, and takes on a lawyer to defend her privacy. But this is only the beginning of a mess that simply gets worse and worse, leading to an unexpected, brutal ending.

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After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.

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Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

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Nathalie Adler is on a mission for the EU in Sicily. She organizes the next visit of Macron and Merkel to a migrant camp. Their presence has a high symbolic value to show that everything is under control. But who still wants to believe in this European family on the verge of a nervous breakdown? Probably not Albert, Nathalie's son, an NGO activist who arrives without warning. He, moreover, no longer believes in his mother.

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As a novelist, actress/screenwriter for François Ozon and director, Marina de Van is fearless, always eager to deal with taboos and expose herself. Mostly home-made and shot under the radar, Ma nudité ne sert à rien is a brave self-portrait of de Van as a forty-something wandering soul, asking herself about her work, body and relationships in the age of dating apps and one-night stands.

Open details →

Niamh is the lone survivor of a mysterious massacre in which the furniture and objects in her family’s isolated house took on a monstrous life of their own. The police ignore her wild stories, and the neighbours and social worker who take her into their care try to introduce her to a new life. But Niamh is unable to leave her violent past behind her, endangering everyone who crosses her path.

Open details →

Panic attacks and memory loss signal the plight of a writer whose body is inexplicably being taken over by another woman.

Open details →

Diane lives with publisher Hermann but everything is spoiled when Worms, Hermann’s loyal author and friend, reveals in his new book the affair he once had with Diane, in a highly subjective manner. She soon discovers the contents of the work, which Hermann tries to hide from her, and takes on a lawyer to defend her privacy. But this is only the beginning of a mess that simply gets worse and worse, leading to an unexpected, brutal ending.

Open details →