Muriel Gray

Best known for their megahit ’80s anthem "Don't You (Forget About Me)”—made famous in John Hughes’ The Breakfast Club—Simple Minds is one of the most iconic and influential Scottish bands in history. From working-class kids growing up in post-industrial Glasgow to rock stars playing Live Aid, this is the unlikely story of an extraordinary band that continues touring to this day.

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In 1980, two Cork outsiders, Cathal Coughlan and Sean O’Hagan, met at a New Year's Eve party. Bonding over music, a friendship and songwriting partnership was ignited; the band they formed, Microdisney, was one of the best bands of the 1980s that you’ve probably never heard. Mixing Sean’s stunning melodic arrangements with Cathal’s poetic, angry lyrics, they recorded three brilliant LPs, gained critical adulation and an obsessive cult following. But a hit single eluded them, as did radio play and LP sales. By 1988, frustrated by their lack of progress, the band crashed and burned, leaving a trail of acrimony and broken friendships.

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David Tennant talks to Craig and Charlie Reid of The Proclaimers about a 30-year career that has seen them become one of Scotland's most iconic bands.

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The wild West Berlin of the 1980s became the creative melting pot of pop subcultures: music, art and chaos. Before the Iron Curtain fell, anything and everything seemed possible.

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An anthology of darkly comic twisted tales, each one taking place behind a door marked 'number 9'.

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Four-part series demonstrating different kinds of censorship, such as censorship by the government or of art.

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Hilarious, totally-irreverent, near-slanderous political quiz show, based mainly on news stories from the last week or so, that leaves no party, personality or action unscathed in pursuit of laughs.

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In Summer 1961, at a party held on the Cliveden estate of Lord Astor, Minister for War John Profumo met, and subsequently had a brief affair with, a call-girl by the name of Christine Keeler, who had also been seeing a Soviet diplomat. The rumours circulated throughout the following year, but the Fourth Estate was less inclined in those days to disturb the privacy of those at the top of the tree. Eventually, the story made the papers, and Profumo made a statement to the Commons, denying impropriety over his relationship with Keeler. Three months later he was back, confessing that he had misled the House, and he resigned as an MP. But that was only the start of it.

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In this diverse and inventive autobiography, painter and author John Byrne travels from his youth, through his art school years to the period of his stage and TV plays, and on to his death, sometime in the future. With him is Robbie Coltrane as himself and as a shamus invented by Byrne, who discovers there are as many aspects to the author as there are actors playing him.

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