Marlene Hauser

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Anna plans to escape her stifling provincial life, but a ghostly encounter causes a delay. A poignant tale of departure, set in the Styrian countryside and with strong ties to the genre tropes of the uncanny and the grotesque.

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When 12-year-old Karli moves to an old hotel in the Alps, he discovers an elevator that harbors a secret – it’s a magical time portal that transports him back to 1938! There, he befriends Hannah, a spirited Jewish girl, and Georg, a shoeshine boy. But when Georg is falsely accused of stealing, the children must solve a mystery case hidden within the hotel’s walls, all while the shadow of Nazi Germany begins to grow around them.

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Ursula and Neda, an East German waitress with a broken heart and an Iranian YouTuber with a broken arm, both feel trapped and lonely in their precarious lives. One summer evening, Ursula falls for a mysterious musician from the city, while Neda is convinced that she recognized an old friend from Tehran in an equally enigmatic street sweeper. The winding paths of chance draw the two women together on an unexpected ghost hunt in the mountains...

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Joni is dead. His girlfriend Lena receives the devastating news in a hospital in Georgia, where Joni had spent several months. Far from home, he wanted to find himself again. However, as Lena soon finds out, what he also found is an art student named Nana.

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Matthias is a master of pretense, from cultured boyfriend to perfect son or marital coach. He makes a career of being someone else. The real challenge begins when he has to be himself.

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The performances by Petra Morzé (as a mature thespian preparing for a video audition) and Marlene Hauser (as the daughter assisting her) illuminate this gently comical drama that intelligently touches on a range of issues within its brief running time.

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Its summer and Yasmin spends her days at her family’s house in the countryside. Together with her boyfriend and his children, she goes on trips to the lake, life seems carefree. But it soon becomes clear that tensions are smoldering under the shimmering summer heat: what begins as an atmospherically narrated family drama, increasingly slides into the surreal.

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Helene (86) and Toni (70) are completely different. One is planned and well-timed, the other impulsive and spontaneous. As an unlikely team, they embark on a journey to Switzerland for euthanasia. But their road trip through the mountains turns out differently than planned.

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A male body was found floating in Lake Triestach near Lienz in East Tyrol. According to the autopsy, Konrad Kofler, Tyrol's Minister for the Environment, had a relatively low blood alcohol content and apparently drowned. After a meeting with the Ministers of Finance of all federal states, Kofler was on his way to Inner Ainöd, a side valley in East Tyrol, but he never arrived.

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The Viennese cab driver Maggy has all kinds of problems, not least monetary ones. But suddenly Maggy's financial problems could solve all by themselves when Juliette Koons, who has been reported missing, gets into her cab with a heavy suitcase.

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Gifted with supernatural abilities, Lucia numbs herself with just about anything to find peace. After a night of partying she wakes up at a hospital - changed. Now she literally has to face her demons to find the family she always wanted.

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Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband runs out in front of her car. In a state of shock, Andrea commits a hit-and-run.

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Precariat meets high snobiety: With no-budget charm and wit, sophisticated characters, pointed dialogues, satirical social commentary and bitter plot twists, Sebastian Brauneis tells the story of a tenancy relationship in which law does not always mean justice, set against the backdrop of the Austrian housing market.

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In his exhilarating tragicomedy, David Lapuch blends apparently disparate elements: mundane matters with meaningful ones, existentialism with comedy—and a rather unappetizing muffin with beer. Richard, a young man who leads a fairly ordinary village life, takes care of his grandfather and a sausage stand at the sports field. Within just one evening, his life becomes unhinged, and he finds out that within every ending is a beginning.

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Places of longing loaded with expectations are usually only of a snowball throw away from the next disappointment. And on Austrian slopes the disappointments occur in the interpersonal realm. Bernhard Wenger stages his latest film as a painfully realistic, but also humorous, episodic mockumentary captured by weather cameras.

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During a joint operation by Czech and Austrian police officers against an illegal rave party in the border forest, young Austrian policewoman Johanna tragically dies and a Czech drug dealer named Sicilian disappears mysteriously. A rookie cop refuses to let the killer of his colleague go unpunished.

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A fictional account of one year in the life of Empress Elisabeth of Austria. On Christmas Eve 1877, Elisabeth, once idolized for her beauty, turns 40 and is officially deemed an old woman; she starts trying to maintain her public image.

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Breakthroughs don’t come easy. Especially for up-and-coming actress Anna. Rejected from her most recent audition, Anna returns home to find that her dad has already made other plans for her life. Her last chance: playing the victim in training exercises for the local fire department. Whether she is rescued from car wrecks or placed under toppled trees, Anna gives it everything she’s got, because a job at the local bank seems utterly unthinkable.

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Young women, Austrian style. Yesmin is Kurdish and wears a headscarf. She shoots a cheeky burqa video with Bella and Nati which makes the trio famous in the Muslim community. Controversy and alienation ensue. Immediate, exuberantly introverted cinema.

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It was her voice that made him want to stay. Only first he has to win everyone’s vote. Downvoted by the community a young man learns how to play by the rules of a bizarr jazz club, lobby to the top and all for love and glory. Yet can one persevere in society without losing one's soul?

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On a sunny afternoon spent on the shores of the river Danube, Andi and Lena are getting closer to each other. But as Lena receives some bad news, she finds it difficult to open up to Andi. Left feeling insecure by her need to deal with her problems on her own, Andi decides to confront her with his feelings for her.

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Autumn, as we all know, is when (over-)ripe things fall. Hollow political rhetoric about culture, for example, but also one-dimensional ideas about love and desire.

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The Graz chief investigator Sascha Bergmann and his colleague Eva Merz from the Spusi try to combine the official with the romantic, but unfortunately a routine case in the tranquil East Styrian hill country unexpectedly degenerates into work: What initially looks like the suicide of a drunk turns out to be poorly disguised murder! This in turn calls Bergmann's partner Sandra Mohr onto the scene, who puts herself in danger in her investigative zeal.

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Three friends undermine the job-swapping in the company that exploits them and pull each other out of the swamp of capitalism (into which they will repeatedly fall).

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As part of an unusual farewell ritual, two siblings end up at a Chinese restaurant. Both feel guilty after the recent death of their mother and find it difficult to broach the subject. At another table a father improves his daughter’s homework, at the next a date goes wrong, and somewhere in between, the server’s collar bursts. Though the tables are close together, the siblings hardly notice the little dramas taking place.

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A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.

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Lower Austria in the 18th century. Two young women, a forbidden love and a feeling of guilt that haunts them both in the form of a monster. A short film about an Austrian legend and is about girls and monsters that we create ourselves, about guilt and crushing feelings of guilt and about the freedom of love.

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Best friends, a special day, one night that gets out of control. It’s the end of term. Mona celebrates the beginning of the holidays with her friends Lisa, Joana and Paul and lots of beer at the beach. Mona’s new boyfriend is missing in their quartet. He has to work as a civil servant at the Red Cross until midnight. Later they want to meet at the Open-Air. The others from their crew are already at the festival. Especially Emil and his unavoidable shadow Chin are by now partying hard as the first band enters the stage. They are going to drink away their school stress. That’s the plan. But Mona’s start to the holidays goes differently than planned.

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Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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Precariat meets high snobiety: With no-budget charm and wit, sophisticated characters, pointed dialogues, satirical social commentary and bitter plot twists, Sebastian Brauneis tells the story of a tenancy relationship in which law does not always mean justice, set against the backdrop of the Austrian housing market.

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Autumn, as we all know, is when (over-)ripe things fall. Hollow political rhetoric about culture, for example, but also one-dimensional ideas about love and desire.

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