Luzia Oppermann

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Four adolescent girls each spend their youth in the same farmhouse over the last century. Though separated by decades, resonances between their lives emerge: their desires and distress, secrets and truths, encounters with another’s gaze and defiant gaze in return.

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Bente, a school dropout, was a foster child on the Strand family's remote farm. Forensic medicine finds a key in Bente's stomach. Where was the girl going with two cans of gasoline? Why did the local gas station attendant sell her gasoline even though it was known that she was an arsonist? Which lock does this key fit into? Local policeman Lars Klapproth might be able to contribute to solving the case, but he does not. Because Lars is the father of Maria's missing daughter Matilde. He had made the toddler disappear with the help of GDR state agencies during the reunification period. When Maria, who had fled the republic, returned to get her daughter shortly after the fall of the Berlin Wall, Matilde had already been adopted and could not be found.

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The new Federal Minister of the Interior and Community (Lena Dörrie) is used to mastering big challenges. But a murder at the Conference of Interior Ministers is something else. Especially at the back of the Bavarian beyond, without any cell phone reception, isolated from the outside world. To make matters worse: The 16 interior ministers of the federal states (including Jan Böhmermann, Henny Reents, Christoph Zrenner) are of no help in clarifying the matter.

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Two women living alone are visited by a young strange man whose identity and intentions they begin to question as the evening progresses.

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GDR, January 1990. After his ouster and the fall of the wall, dictator Erich Honecker and his wife Margot find themselves virtually homeless. Only Protestant pastor Uwe Holmer and his family, who, like many others, have suffered under his tyrannical regime, offer them refuge.

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Germany, 1946. Hunger, rubble, returning soldiers. Charlotte is pregnant, but her beloved returnee does not want her or his child. In order to win him over and escape the impending shame, she enrolls in the "missing course" of actress Gloria Deven, who was an up-and-coming film star under Fascism and is now banned from working. But Gloria, with her merciless lessons, is not interested in reviving the coquetry of girls that became superfluous in the war. Instead, she awakens in Lotte a longing for something too long denied her: Freedom.

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A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.

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Lower Austria in the 18th century. Two young women, a forbidden love and a feeling of guilt that haunts them both in the form of a monster. A short film about an Austrian legend and is about girls and monsters that we create ourselves, about guilt and crushing feelings of guilt and about the freedom of love.

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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

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Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

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