Tommaso Capolicchio

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

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At the center, the work of sports prosecutors and the economic and political interests that can gravitate behind the hiring of a player or the success of an entire team. The protagonist is Francesco Montanari in the role of a football agent who, at the height of his career, is arrested for illegal betting and loses everything.

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Giulio is a widower, struggling to raise three sons, Marco, Rudi, and Mimmo, as best he can. He lives in Rome's working-class Garbatella neighborhood and runs a wine shop with his two brothers. Lucia, meanwhile, comes from Milan's middle-class background; she's divorced and trying to rebuild her life with her two daughters, Eva and Alice. The two meet by chance and recognize each other: they had a fling as teenagers, many years earlier. Yet first love is never forgotten, and so Giulio and Lucia find themselves together again. Their meeting, however, changes not only the lives of a man and a woman, but also those of two families as different as could be. Two families who find themselves living under the same roof without even having had the time to get to know each other well.

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It’s a story of a brother and a sister, Sergio and Maria, told backward in time, from adulthood to childhood. Through the years the two siblings invent a game that they call “Mìkles”: their very own survival technique used to resist the abuse brought upon them by their father and, at the same time…

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