Constantin Vaeni

Constantin Văeni succeeds in transcribing a chapter in Romania's modern history, a moment of major crisis, when people confused by history committed the most reprehensible acts against humanity. A movie about the assassination of Nicolae Iorga.

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A peasant went to work in constructions for a few years in Bucharest. He's thinking of returning home, but only after overturning his father's unfair sentence.

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Calin Surupaceanu is a simple boy, convinced by the engineer Dan to accompany him in building a new city. Along the way, he meets his future wife and subsequently source of unrest and rebellion against fate. The movie is based on a novel by Marin Preda called "The Intruder".

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The explosion of a 4300 tones Kauper furnace brings up an inquiry, conducted by Ștefan, a Romanian Communist Party activist. He is trying to get to the truth, even if he is pressured just to assign blame.

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During the peasant uprising of 1888, Alecu Dumitru, a socialist, hides from police in the Nada Florilor island, next to a fishing village.

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At the end of the 16th century, Wallachia's ruler Michael the Brave dreams of uniting the kingdoms of Wallachia,Transylvania and Moldavia into a single country known as The United Principalities.

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At the beginning of the 40's, Victor (Gabriel Oseciuc) is a young Communist who has been hiding for months in a built-in room to print out on his own the free newspaper Communist Command.

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Documentary about the fall of the old city of Orșova due to the construction of the Iron Gates hydroelectric power station.

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This is one of hundreds of so-called „ephemeral” films produced by the documentary studio in the wake of serious accidents on Romania’s roads. As was always the case in such films, the guilty party is the driver himself – one of the aims of this category of film was to assign unequivocal guilt. Yet, what makes this coarse lesson, brought to life by actors and non-professionals, more relevant today than it was at the time of its production is its ability to capture more than the event itself and thereby to provide us with a glimpse of the period in which it was produced.

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Engineer Bunea, a site manager, neglects his personal life in favor of his professional duties. But going through a crisis of conscience, he wants to give up the responsibilities of his job and tries to find a more peaceful job.

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At the beginning of the 40's, Victor (Gabriel Oseciuc) is a young Communist who has been hiding for months in a built-in room to print out on his own the free newspaper Communist Command.

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The murder of two workers and a high school student triggers a series of investigations, the conclusions of which are eagerly awaited. After several attempts, a sergeant manages to catch the killer.

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The Nazi troops are retreating from Romania. On a wester town, they have to be held back until some strategic trains can leave the train station.

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With his nose pressed against the glass, four-year-old Ionel watches the kids playing ball in the street with great interest. His father, a schoolteacher, has lost his job. Now he goes to various institutions in vain, because in bourgeois Romania it is not easy to find a job. Ionel waits for his father every night and while waiting for him he dreams of getting a real yellow ball for his birthday. His father realizes that it is necessary to get the money and buy the ball. After all, the boy is crippled, and the ball is the only hope for him to get well...

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Calin Surupaceanu is a simple boy, convinced by the engineer Dan to accompany him in building a new city. Along the way, he meets his future wife and subsequently source of unrest and rebellion against fate. The movie is based on a novel by Marin Preda called "The Intruder".

Open details →

Documentary about the fall of the old city of Orșova due to the construction of the Iron Gates hydroelectric power station.

Open details →

This is one of hundreds of so-called „ephemeral” films produced by the documentary studio in the wake of serious accidents on Romania’s roads. As was always the case in such films, the guilty party is the driver himself – one of the aims of this category of film was to assign unequivocal guilt. Yet, what makes this coarse lesson, brought to life by actors and non-professionals, more relevant today than it was at the time of its production is its ability to capture more than the event itself and thereby to provide us with a glimpse of the period in which it was produced.

Open details →