Anna Carena

The miniseries is adapted from the novel of the same name by Joseph Conrad, in which the great writer sought—along with his earlier work "The Secret Agent"—to explore the chains of guilt associated with European despotism.

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Forced to support herself, her children, her physically incapacitated husband and her obtrusive brother and mother, a downtrodden working woman contracts tuberculosis. She is granted a brief vacation at a health spa, where a whole new world — and potential new life — is opened up to her.

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After World War II, a woman refuses to believe her husband, missing on the Russian front, is dead. Flashbacks reveal their brief courtship and marriage. Years later, she travels to Russia with his photo, determined to find him. What will she discover?

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Primary school teacher Mr. Mombelli, nevertheless satisfied with his life, is driven by his wife to resign and starting a new activity. He invest all his goodwill setting up a footwear little factory.

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Italian televison adaptation of Fyodor Dostoevsky's novel of the same name. Although it is to all intents and purposes a television miniseries, the rhythm of the acting is typically theatrical: the long dialogues, the acting style and the actorly interpretation make it a true example of episodic television theatre.

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A photographer named Corrado snaps a picture of Antonietta. When it shows up on the front page of a magazine, she wants to take him to court over it.

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Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.

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Sor Clemente escapes the surveillance of his wife and goes to attend a variety show.

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A Milanese shop assistant becomes an overnight film sensation when fate lands her the leading role in a prominent producer's romantic drama.

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An aging, down-and-out public employee must face the primary school examination.

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Based on the Nikolai Gogol story but set in 1950s Italy, "The Overcoat" is the story of a poor city hall clerk whose only desire is to buy a new overcoat.

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A number of different segments taken from 19th century Italian stories.

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Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.

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In the Po Valley during the 19th century, a rich girl engaged to a well-to-do farmer ends up penniless and is forced to work for her fiancé’s relatives. Peasant unrest, carried to extremes by both workers and landowners, leads to violence and tragedy.

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Sicily, early 1900s. An impoverished prince settles into the house of a rich shipowner and becomes his counselor.

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Travelling family man Paolo agrees to pose as husband to an unwed pregnant girl he meets on a train. However, once faced with her father, things do not go as planned.

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The yearnings of three young women: one is concerned about her weight, another aspires to write poems, and the last is already prepared for love and marriage.

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A singer saves a heavy alcoholic journalist. Fate has a new meeting for them: the two are found in a police station where she was brought with the accusation of prostitution.

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In the absence of the biological mother, too busy pursuing her theatrical career, we see the glorification of the maternal surrogate, a woman who is a paragon of sacrifice and self-abnegation. La Fuggitiva is also a film in which a child actress takes a prominent role. In this sentimental drama, the little girl suffers for and rebels against the loneliness and neglect stemming from the lack of a mother and a loving family setting.

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Franco, a young man of noble descent, marries Luisa, daughter of a humble clerk, against his grandmother's will.

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