Diana Toucedo

A nahual emerges in animal form to deliver a warning: the land of Yucatán is being wounded and desecrated. As the Maya train megaproject continues, Falú confronts his identity and sense of belonging, caught between preserving his roots and the forces that threaten to erase them.

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With great expressive freedom, Diana Toucedo transports us to a seaside village in Galicia. We are invited to observe the work of the women who collect shellfish, and hear from their own voices their relationship with their trade, the heritage of matriarchy and their sense of belonging. Sailors at sea complement this genuine and devoted community of workers.

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The seasoned captain of a fishing boat along with his crew of thirty men resist their ninth month on board in the icy waters of the Argentinian South Atlantic Ocean. This will be the very last adventure for the captain, that in which he confronts his forty-year-long past at sea with his coming future: finally, life on the mainland with his family in Galicia (Spain). But, for this last voyage, his daughter, the Director, will also embark to try and find the Captain, who has always been an absent father. An intense adventure drama full of silences covering truths and gazes in search of answers.

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Alba is twelve years old and wants to discover the mysterious, fascinating and unknown reality of death. With her best friend Samuel, she enters abandoned houses, travels through forgotten villages and explores remote mountains that hide another parallel world. Hers is a journey to reveal the unexplainable conflict between the living and the dead.

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The acts of men during their lifetimes forge our History. But at what point in our lifetime do we lose our own stories? Many women who wait at home, in their kitchens, for their men to return – for a missing son, a father… – have an open wound that has never quite healed. Suspended in time, their hearts go on beating as they wait tirelessly. It is death or them.

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From the film Limite, by the Brazilian avant-garde director Mario Peixoto, the female body is explored before her own fears and anxieties in a re-edition work. A body that wants to be close to light but also to darkness, a film body that becomes materialized as a medium.

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Made by ten directors in Pontevedra, Galicia.

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Neighborhoods in common-man are a silent heritage in Galicia, a heritage that for hundreds of years has shaped human relations with nature. In every way, several communities approach personal histories that mobilize and create projects outside the norm, with a social, political, economic, environmental and cultural impact without comparison in Galicia. Men and women dedicated, with full involvement, to the struggle for the self-management of the mountain, balancing the balance, always weak, of tradition and modernity, but with a common fund of values ​​that unites them and fills them with courage to stay firm. and undisturbed next to their mountains.

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Ethnographic documentary showing the musical relationship of a group of women and men from Zobra, Serra do Candán, Pontevedra. Music is exposed as memory, experience and coexistence. Music for them becomes a bridge between two realities, the past and the present. This documentary loves us in relation to the music of a group of mulleres from the place of Zobra na serra do Candán, Galicia. To music as memory, experience and life. A comma music put between realities, or past and present.

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My father is a sea captain. All his life has been away from home, fishing and sailing the world’s major fishing grounds. For me, my father has always been one who shares a couple of months a year with us, but when he goes, I never know what is his really life. In Secret images I travel to Argentina to find out for my first time, what is the lifestyle of a captain and a father who have always been absent.

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Voted for in Sight & Sound's 2022 Greatest Films of All Time poll

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Lola is a U.N. human rights activist whose life unravels when her Syrian friend Fariya disappears while attempting to enter Europe. Consumed by an obsessive search, Lola risks her career, relationships and personal safety to uncover the truth, ultimately confronting the brutal realities of the migration system she once believed in.

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Albert Kuhn uses a personal, analytical, and cinematic lens to examine how an untold family history leaves its mark on the second and third generations. Kuhn’s father emigrated from Germany to Barcelona in the 1970s, leaving behind his native country and the family he was born into.

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A homeward journey to a land where time dissolves into memory, mist & rituals.

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With great expressive freedom, Diana Toucedo transports us to a seaside village in Galicia. We are invited to observe the work of the women who collect shellfish, and hear from their own voices their relationship with their trade, the heritage of matriarchy and their sense of belonging. Sailors at sea complement this genuine and devoted community of workers.

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When Ione moves into the house of the deceased García siblings, she discovers that their rebel spirit still remains in the many objects they left behind. Antonio worked as a comic book artist for the Bruguera publishing house and Rosita was a pianist and opera singer. Both, together with their brother Juanito, transformed their home into a space dominated by fiction, to escape the dark reality imposed by the Franco dictatorship.

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