Claire Chazal

Captain Eloïse Gentil, of Caen police, hasn't been on speaking terms with her father Robert, an expert on WWII, for twenty years. But the two are brought together to investigate the death of James Crawley, a 91 year-old former GI, found tied to a pole and in his uniform, apparently executed "as an example".

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Valentin D is a hot designer architect who claims to be an orphan because he is too ashamed to admit he is the son of working-class scrap metal merchants from the north of France.

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Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.

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Four separate stories deal with stereotypical ideas about Jews: their alleged influence on politics, the stereotype of Jewish business-mindedness, the Mossad, the Jewish world conspiracy and the memory of the Holocaust.

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French filmmaker Eric Lartigau directs the anarchic buddy comedy Bullit and Riper, originally released as Mais qui a tue Pamela Rose? French comedic television stars Kad Merad and Olivier Barroux are both the protagonists and the screenwriters. As a parody of Hollywood cop films, the story is set somewhere in the American Midwest as fabricated by the French. After losing his regular partner, FBI agent Richard Bullit (Merad) gets assigned to the book-learned cop Riper (Barroux) to investigate the death of a stripper. American movie stereotypes abound, such as shock jock Phil Canon (Gérard Darmon) and sheriff Steve Marley (Jean-Paul Rouve).

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Die-hard fans of the 1980s, Vincent and Antoine run a company that supplies doubles of faded stars throughout the whole of France. What starts out as a promising business venture ends up as a calamity when Vincent and Antoine have over forty engagements booked but no one to attend them. They then have a brainwave. Why not get in touch with the real stars of the 1980s and persuade them to make a comeback? Why make do with an imitation when you can have the real McCoy?

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In 1932, the writer Paul Nizan published "The New Watchdogs" to denounce the philosophers and writers of his time who, sheltering behind intellectual neutrality, imposed themselves as true watchdogs of the established order. Today the watchdogs are journalists, editors, and media experts who've openly become market evangelists and guardians of the social order. In a sardonic manner, "The New Watchdogs" denounces this press that, claiming to be independent, objective and pluralist, makes out it is a democratic force of opposition. With forcefulness and precision, the film puts its finger on the increasing danger of information produced by the major industrial groups of the Paris Stock Exchange and perverted into merchandise.

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On n'est pas couché was a French talk show broadcast on France 2 on Saturdays at 11 p.m., hosted by Laurent Ruquier assisted by various columnists.

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Six weeks of exclusive behind-the-scenes access to Lionel Jospin's 2002 presidential campaign, from the strategy rooms to the night everything collapsed. A gripping inside account of France's most shocking political upset.

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Middle-aged best friends Eddie and Patsy live in an endless haze of drugged, drunken selfishness. The duo leave no impulse unenacted and no lust unsated — be it for sex or the latest in designer clothing. Waking up from a night of drunken debauchery, the two dip right into a feast of champagne and caviar, much to the irritation of Eddie's elegant mother and her resentful daughter. As Eddie stretches an appalling pair of leopard-print leotards (complete with matching shoes, purse, and hat) over her massive rear end, she and Patsy learn of a handsome young rollerblading delivery boy who quickly becomes the object of their lust.

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Starting with easy multiple-choice questions that gradually get more challenging, contestants have only their wits and three lifeline chances to see them through to the grand prize of one million euros

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Franck shows up in a gossip magazine photo behind a brawling TV star at a football match.

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