Giorgos Konstas

An existential reflection on time and gender.

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An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.

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A writer sees the people around him exclusively as book heroes, his decision to write a book about them causes him real life problems.

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Retired in his ex wife's house in the countryside, author Andreas Politis is trying to complete the writing of a book. During his stay, a murder occurs. The following events inspire the writer, who starts getting involved when he unintentionally provides the police with some clues.

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A triptych film inspired by Peloponnesian folk tales: "The Changelings", "The Sinner", and "The Antichrist".

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One woman's lonely search for the truth about her mother's murder.

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This is a series of intersecting stories. A petty crook and former lover of a lazy ingénue steals the box-office receipts from the Odeon of Herodus Atticus, on the day an important football game is also taking place. There is also the story of the half-mad mother of the ingénue who refuses to put shoes on because she believes that shoes lead people astray. An eccentric grave-digger produces a two-seater coffin for couple-victims of car accidents. The film also tells the story of one of the Odeon's cleaning women and of a watermelon that goes all around the city, pursued by a tired theater technician and his sister, who is a tour guide. The impresario conducts an inquiry after the theft, but the thief and his two associates, the ingénue and the technician, use what was stolen to set up a small theatre. Small everyday stories and comic incidents combine to create a portrait of modern-day Athens.

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In a dystopian society after an unexpected epidemic citizens can't have dreams. Only few people are privillaged to dream. They operate small underground companies where they can have other people dreams.

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A moment of silence for a musician, which becomes an eternity.

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Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.

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After 11-year-old Petros loses his father in a car accident in Melbourne, Australia, his mother decides to move the family to her homeland, Greece. Petros has been planning to run away from home ever since the big move. After persuading his classmate, Adonis, to join him, the two boys decide to make the journey to Australia together. Their parents look for the children all over Greece to no avail. The only one who knows the boys' whereabouts is their best friend, whom nobody believes. Petros and Adonis' pictures are published all over the press, but no one comes forward with any information. Meanwhile, the boys continue on their journey...

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In his film, Menelaos Karamaghiolis attempts to trace the evolution of the gypsy race in Europe, particularly in Greece, through four different points of view. These are expressed in the narrations of four people: the Teacher, the Photographer, Tamara, the old gypsy lady and the young girl Aima.

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Something changes in the relationship of Achilleas and Anna when she starts to dream vividly and insists on relating her dreams to her husband. He is a barrister in the middle of an important murder trial and his temper becomes frayed with Anna's seeming indifference and involvement and preoccupation with her dream world.

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A music composer tries to deposit money in his bank one morning, and is accused of counterfeiting. Harassed by the police, the gang of counterfeiters and a stranger, he becomes panic-stricken. The unjust charge brought against him ignites his deeper feelings of guilt which stem from his sterile existence and, mainly, from his inability to produce creative work. Then he flees and begins wandering in an unfamiliar "country" where his painful adventures will finally prove redeeming. The film is an existential drama in the form of a "dreamlike" thriller.

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As a coincidental event unites a publisher and a hospital manager, sinister revelations entangle the couple with the aspiration of an editor-in-chief. Will he unearth the truth? After all, almost everybody has a skeleton in the closet.

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An actor's troupe puts up a variety show.

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An allegorical film about the existence or nonexistence of Man. Confronted with the need and will of Man to live, a question is raised: Does the instinct of survival finally lead us to survival or does it inevitably lead us to our complete destruction? Is conflict unavoidable? Is the need for alliance and for a meeting of minds an illusion? And who will prevail in the end? Human nature or Nature?

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