Gleb Ross

The director from the” old guard " comes to the film studio to discuss the shooting of his film. A whole squad of new tolerant producers, imposed by the censored film critics, is waiting for him in the office. Their main task is to turn the film about ordinary guys and traditional values conceived by Kostya upside down. The comments mainly relate to racial and gender issues, according to the agenda... Kostya is shocked: does talent and human qualities now mean nothing for the selection of actors and the film crew? The producers continue to press Kostya, then he loses his temper in the literal and figurative sense of the word…

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Accidentally, Alyona finds herself alone in her lover's country-house on Christmas Eve. All she can see from the window is a snow-covered desert, and a cat is the only living creature who is near. The heating is turned off, her mobile phone battery is low. Alyona tries to get out of the country-house, but the more external circumstances she overcomes the deeper she sinks into her inner hell. At the end of the day her desire to escape suddenly evolves into desire to die. There are three layers in the film: physical, symbolical and metaphysical. All Alyona's activity is a surface that hides her struggle with her inner demons, her existential solitude and her inability to cope with it. Trying to escape the swamp of unsolved issues Alyona sinks only deeper and deeper to reach the bottom, then push off and start her way to inner resurrection. The only thing we are never given enough is love. The only thing we never give enough is love.

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After the fight with Dagestanis, the novice rapper Bonus, along with his friend, drug addict and drug dealer Gashik, must disappear for several weeks from the home village of Volodarovka, which is located in the Astrakhan region. They decide to go to Moscow, where Gashik will try to become the driver of the businessman’s son, and Bonus - to become a rap artist.

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An actor who performs for a children's theater lands a leading role in a new production.

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The director from the” old guard " comes to the film studio to discuss the shooting of his film. A whole squad of new tolerant producers, imposed by the censored film critics, is waiting for him in the office. Their main task is to turn the film about ordinary guys and traditional values conceived by Kostya upside down. The comments mainly relate to racial and gender issues, according to the agenda... Kostya is shocked: does talent and human qualities now mean nothing for the selection of actors and the film crew? The producers continue to press Kostya, then he loses his temper in the literal and figurative sense of the word…

Open details →

Accidentally, Alyona finds herself alone in her lover's country-house on Christmas Eve. All she can see from the window is a snow-covered desert, and a cat is the only living creature who is near. The heating is turned off, her mobile phone battery is low. Alyona tries to get out of the country-house, but the more external circumstances she overcomes the deeper she sinks into her inner hell. At the end of the day her desire to escape suddenly evolves into desire to die. There are three layers in the film: physical, symbolical and metaphysical. All Alyona's activity is a surface that hides her struggle with her inner demons, her existential solitude and her inability to cope with it. Trying to escape the swamp of unsolved issues Alyona sinks only deeper and deeper to reach the bottom, then push off and start her way to inner resurrection. The only thing we are never given enough is love. The only thing we never give enough is love.

Open details →

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