Trond Jacobsen

Little Grey Fergie has settled in on his life on the farm, but sometimes he feels lonely as the only machine. One day a random event brings the metal scarecrow to life and gives Fergie a new friend.

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Little Grey Fergie moves to a new farm with his friends. On the new farm they’re going to have such a good time! But things don’t turn out as they planned.

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Gråtass celebrates Christmas in the barn together with Gamlefar, Goggen, and Grynet. As always, they have invited many adults and children to the barn—now they will all sing and dance in Christmas. The musicians have tuned their instruments, the barn is decorated for the party, and everyone is ready. Now they are just waiting for Goggen—he has to put out the porridge for the elf...

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Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

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Ieva has been an obedient granddaughter for years – choosing a safe career in a bank as her grandmother wanted. Her mother left the family years ago when she had to look for work abroad. That has made ties between Ieva and her grandmother especially tight. Dissatisfaction with the constant adaption to the material world is flickering under the surface and Ieva lives her dreamlife with her friends. She plays the keyboard in a girl band and stays out late. When Ieva decides to have a provocative tattoo on her arm made, her grandmother goes completely nuts.

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Ilze Burkovska, a little girl who is obsessed with stories of World War II and will be a filmmaker in a distant future, lives in Latvia under the totalitarian boot of the Soviets and the ominous shadow of the many menaces and horrors of the Cold War.

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A documentary about two 13-year-old girls, both obsessed with fashion and developing their personal style. One of the girls lives in a small town in Latvia, the other one - in Norway. How do their surroundings influence their acts of self-expression? And how do their mothers cope with the idea that their little daughters are becoming adults?

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For the post-war generation in Latvia, the dream of the “good old days” became a significant part of the process of regaining independence. The dream of restoring the countryside to the way it was during the first independence is only now seen by most as naïve and unreal. Six episodes that reflect the historical development in the nation parallel to the fate of the director’s mother are used to explore the effects of political order on everyday lives. Though she is now leaving the countryside, the process of moving her life provides a visual stimulus for memories.

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