Alice Agneskirchner

From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

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This film accompanies five children of the young ensemble of the Friedrichstadt-Palast during the creation of the new children's play from the castings to the rehearsals to the grand premiere evening in front of 2,000 spectators.

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At the beginning of 1979, after more than 30 years of collective repression, a dramatized and emotional US television miniseries ensured that the German population was suddenly reminded of the terrible Nazi crimes against the Jews. What is now expressed with the hitherto unknown word Holocaust, hits many millions of people in the heart. The unexpected echo and the audience reactions were fierce. Even before the TV broadcast neo-Nazis blasted in vain transmitting towers in Germany to prevent this. From the creation and the shooting over the broadcast to the tremendous reactions, documentary filmmaker Alice Agneskirchner tells the story of this emotional television event, which led to a paradigm shift in the perception of German Nazi crimes.

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In the film, three young Israelis confront themselves with their and thus their shared German-Jewish history. They try to restore the apartment of the Jewish Adler family to the way it looked before their deportation. But it turns out that the Holocaust means something different to them than it does to the German director who invited them to travel back in time.

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From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

Open details →

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In the film, three young Israelis confront themselves with their and thus their shared German-Jewish history. They try to restore the apartment of the Jewish Adler family to the way it looked before their deportation. But it turns out that the Holocaust means something different to them than it does to the German director who invited them to travel back in time.

Open details →

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