Enrique Almirante

In the 1950s, Patria, Minerva, and María Teresa Mirabal - who were known by their codename "The Butterflies" - created an underground resistance movement against Rafael Trujillo, dictator of the Dominican Republic. On November 25, 1960, Trujillo had all three sisters assassinated. The assassinations turned the Mirabal sisters into national heroines and symbols of feminist resistance. The documentary interweaves interviews with over forty witnesses to the story, including the Mirabal family friends, colleagues, co-revolutionaries, teachers, and most importantly, their surviving sister, Dedé, along with dramatic reenactments and archival footage.

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On March 12, 1956, Basque Nationalist Jesús de Galíndez Suarez disappears from his apartment in New York, never heard from again. He had been working with the FBI and was about to publish a book critical of Dominican strongman, Trujillo. In 1988, a graduate student, Muriel Colber, wants to make Galíndez the subject of her dissertation. She's in Spain doing research; finding little, she goes to Santo Domingo. At every turn, the CIA, in the person of agent Robards, tries to thwart her; and, at each turn, as she considers abandoning the project, someone offers new information, often contradictory. She wants the truth behind the Galíndez mystery; will she find it?

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Dayana, a young woman fresh out of prison, wants to clear up the mystery surrounding the death of her brother, Pitchi. The police conclude his death was an accident, but Dayana receives an anonymous phone call that reveals how wrong the police is. Dayana’s own investigation leads to a gang leader called El Calvo. She infiltrates his gang, the Angelitos Negros. What will happen?

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Oreste is a man in the thirties and looks somewhat disheveled. One day, he decides to leave the small port of Arenales where he has lived to leave without a certain direction aboard 'El Mañana', a dilapidated steamboat. Moments before sailing, you will meet two strange characters: Prince Patagón and Mascaró. Together, they will sail the sea and will have to face many challenges.

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Julio César Arana, a rubber baron in the Putumayo region, who was characterized by being a callous, heartless, and debased personality, allies himself with foreign companies, to exploit rubber reserves in the Peruvian Amazon region. He stops at nothing, not even the extermination of indigenous tribes. Thus, the so-called crimes of Putumayo occur; the Amazonian communities rebel and resist.

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A man is released from prison, and after 18 years, returns to his village. But in this village, time, in many ways, has stood still. The time served by Juan complied with the court's justice, but not with some villagers. There are some who still seek true justice.

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A painful true story of a revolutionary Andian warrior whose strength and devotion to his people influenced many in Latin America, Africa and the West.

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In a country town in Cuba, a family prepares to perform the baptism of a baby, and to celebrate the good news, they invite a whole series of family, friends and neighbors. But the celebration of this baptism will bring with it a whole string of entanglements and situations.

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One winter morning in 1963, a Civil Aviation captain arrives in Gibara. A taxi driver takes him to the guest house of Elena, a lady belonging to the old bourgeoisie of the place. At first, Elena and the other guests treat the newcomer coldly, but when they learn that he is a captain in the US Civil Aviation Authority (who has come to Cuba to exchange medicine for the invaders at Playa Girón), the situation changes. A dazzling romance begins between Elena and the captain, but the ending will be unexpected.

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Spain in the 1930s. The film tells of the fight of international troops against General Franco's army. It tells of the fate of three brigadists, the American Gary, the German Hans and the Englishman Joe, who are taken prisoner by Franco's army. Their attitude in this difficult situation is a living example of international solidarity and creates a memorial.

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In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.

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