Liu Chui-Chun

Five shorts reveal a fictional Hong Kong in 2025, depicting a dystopian city where residents and activists face crackdowns under iron-fisted rule.

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Artificial light may have been one of mankind's greatest inventions, but it has also driven us apart from our families because it enables us to work longer and later hours. This drama tells three interconnected stories of people affected by light in different ways – A man forced to step away from work to take care of his injured mother in an apartment constantly lit by florescent billboards, the owner of a lighting shop whose products have suddenly stopped working, and a child who roams the streets stealing light bulbs.

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After losing his son in the 1989 Tiananmen Square protests, a disillusioned old man chooses to stay silent and block out the noises of political bickering in the city. After all, nothing anyone does ever seem to make any difference. With the quick deterioration of freedom in Hong Kong, how much longer can the old man choose to stay silent before the oppression becomes too much? Amidst the noises from all sides, which side should we listen to, or should we simply stay apathetic and block out the noise altogether?

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Gil (Gillian Chung) is a girl who tries to take her own life after being dumped by her boyfriend for another girl, Brenda (Chrissie Chow). Gil gets rescued by a water deity, and believes she has received special powers. Even though she doesn't even know how to swim she enters the Fantastic Water Babes swimming competition, in an vengeful effort to compete against her romantic rival and her friends, and to get back her boyfriend. To master swimming she kidnaps swimming champion Kwok Chi Yuan (Alex Fong Lik Sun) to the island of Cheung Chau, to make him teach her and her friends how to swim.

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She gets up early every morning. She works hard everyday. For her, a day is like a lifetime, but she lives on.

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