Meital Dohan

A Mossad agent competes with a CIA agent in a war with a terrorist organization that threatens to blow up the world with cell phones. If they fail in their mission, the head of the Mossad will not be able to light a torch on Independence Day on live television, which is forbidden.

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On a tramway that connects several of Jerusalem's neighborhoods from East to West, a mosaic of people from different religious and ethnic backgrounds are brought together.

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A cabaret owner tries to keep his club from being taken over by the powers that be.

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An ordinary guy delves deep into counterculture, conspiracy theories and the like as he tries to discern the structure of society.

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The story of a broken family striving to stay together while a curse and the ghosts of a haunted house try to tear them apart.

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Mia is a flaky wannabe writer who loses her uptight sister's cat in NYC's East Village - the search brings her to an aspiring musician whose challenge leaves Mia looking to change her life in this feel-good comedy.

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Exhibitionism, voyeurism, jealousy, lust. Brooklyn wedding photographer Theo’s side business shooting surveillance-style photos of clients on the sly takes an unexpected turn - and creates a rift with his fiancée - when he’s hired by a provocative mystery woman.

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Drex Greene, a confused zombie who can't be any deader, tries to solve the case of the mystery pill that left him drowned in a bathtub. With the help of his wannabe filmmaker roommate Matt and the sexy med student Cassie.

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Debbie, a young belly dancer, her dangerous yet charming lover, a criminal, and a dance club owner tell the story about love and crimes, friendship and betrayal.

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After the unexpected death of her husband, a suburban mom resorts to selling weed to support her family.

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Esti HaMekho'eret (Ugly Esti) is an Israeli television comedy-drama series starring Riki Blich. The series premiered on 3 July 2003 on Channel 2 in Israel and was created by Shlomo Moshiah. This series is based on the Mexican telenovela "El amor no es como lo pintan".

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A successful author, Liz, searches for her daughter, Rachel, in the Sinai Desert. There she meets a Bedouin storyteller who relays the unusual love story of a Western tourist and the son of a Bedouin Sheik named Najim. Their relationship is torn apart when the American is exposed to a tribal ritual.

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Efrat, Dafna and Abigail are three young women who are neighbors in Tel Aviv, Israel. One night the will of their own destiny. A taxi driver picks Abigail accidentally mistaking Dafna and leads to a feature film. A Dafna, also mistakenly comes for the blind date of Efrat and spend a romantic night with this guy. Efrat, meanwhile, is involved in an investigation. Nothing will be as before.

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“The Vanished” was a full-length feature film produced nearly twenty years ago by the IDF Spokesperson’s Film Unit. It was an exceptionally ambitious and elaborate production, with an estimated budget of around one million dollars. The IDF invested generous resources—hundreds of extras, tanks, helicopters, and more were made available—and some of Israel’s top film professionals joined (or were enlisted) to take part in its creation. Nevertheless, at the very last moment, the IDF decided to shelve the film. “The Vanished” was never publicly screened, and to this day, the reason for its suppression remains unclear.

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On the first day of school, as the students share their experiences from the summer, Shelley decides to talk about her step-mother, and presents her as the evil step-mother from the fairytales.

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