Shujoun Al Hajri

Omour A'iliyya — Family Matters — is a 2026 Kuwaiti social drama streaming on Shasha platform. Written by Fahad Al-Aliwa, directed by Ahmed Abdel Wahed, and produced by the acclaimed Abdullah Boushahri — who also stars alongside Shajoun Al-Hajri — the 30-episode series follows intertwined families navigating the complexities of daily Gulf life, with multiple dramatic storylines reflecting the evolving dynamics, tensions, and relationships within the modern Kuwaiti household.

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In a loveless and emotionally empty marriage, a neglected woman decides to take revenge on her husband after he marries another woman. The story is inspired by true events.

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The series presents, in a framework of mystery and suspense, a group of separate episodes, where each episode deals with one of the most prominent and famous true crimes that occurred in Kuwait over different years.

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The play presents a musical and performance that celebrates the history and achievements of Kuwait, through paintings that mix music, dance and drama to embody important stages of the country’s march.

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Hind lives peacefully with her renowned doctor husband and two daughters, but her past of private parties threatens to resurface when her former partner reappears in her life…

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A retired policewoman is pulled into a complex case in a quiet residential building, and discovers that much bigger secrets lie behind its doors.

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After marrying againt their families' wishes, a couple resorts to money laundering to achieve their dreams. But what seems like their salvation may end up destroying them.

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Free-spirited Bibi brings joy wherever she goes, but despite her seemingly carefree life, a nightmare from her past starts catching up with her.

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The morning after attending a gala in Beirut, Mira finds herself the prime suspect in a murder and sets off on a risky journey to prove her innocence.

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Abused by her husband and stepdaughter, Rahma, a nurse, finds solace in the love of her colleague, but her life changes as things start taking a murderous turn.

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After the death of a loved one, a woman decides to pursue her passion for writing by penning television scripts.

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A beautiful Virgin girl is born at the prime of her parents fame, Their kept their focus on their career at her expense. Until she is exposed to a painful setback and decide to keep it a secret.

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A drama that deals with the problems people with sleep paralysis face by telling the story of Layali, a woman struggling with the disease.

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Kan Fi Kull Zaman is a Kuwaiti anthology drama written by Heba Meshari Hamada and led by the iconic Souad Abdullah, who portrays over ten different characters throughout the series. Breaking away from the traditional 30-episode format, the series presents a collection of standalone stories — each spanning two to four episodes — blending social, political, comedic, and heritage themes drawn from Arab life, delivered in a tone that shifts between light comedy and quiet tragedy.

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A group of Gulf youth studying in (Europe), between which a friendship begins by virtue of alienation, and this relationship lasts for a long time, until one of them is subjected to an attempt to exploit some gangs, and events continue that reveal the fact that Western societies deal with expatriate youth, especially the Gulf, because of false beliefs that the Gulf society is rich and rich, and its youth did not attend to learn, but came for entertainment and fun only, and events continue.

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A romantic frame, written by Heba Al-Mashari Hamada and directed by Muhammad Al-Qaffas.

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It deals with the love story of a party designer who falls in love with one of her classmates at the university, but fate prevents their connection... The events follow in more than one dramatic line, dealing with issues of youth, human relations, and love. The current and previous times, as for Taif, she said about her role, “I embody the role of Umm Ahmed, who is kind-hearted and “walks” on the intention … and Aseel Omran, my niece, I love her very much, and I will be shocked by her because of her evils, and her impure intention, even though I wished her to be a wife to my son, with He loves another girl, and that's where problems happen.' The series is complete with action.

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The story revolves around a Kuwaiti man in his late fifties who fears that his fortune will be lost overnight due to an economic blow that will destroy him. He finds no escape except through his half-brother, who holds Saudi citizenship and lives in Dubai and works as a failed and unlucky veterinarian. Events begin to accelerate after they meet together in the midst of many funny paradoxes and amusing situations.

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Under one roof, a family consisting of a father, a mother, their children, and their daughters-in-law live together. As their relationships become increasingly complicated, the siblings compete and conflicts arise, gradually exposing their hidden secrets.

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The events of the series revolve around “Abu Ibrahim” (Saad Al-Faraj), whose house burns and loses all his family, after which he lives a stage of schizophrenia and a painful and poignant life because of his feeling of guilt for what happened.

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The series talks about a family consisting of a father, a mother, and their children, and the daily life problems and comic paradoxes they face.

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The series revolves around the father “Adam” and his seven daughters, who raised them alone after his wife “Karima” left him because she wanted to marry a rich person, so he struggled to raise them alone with his extreme poverty.

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When a thief steals Omaima's car, he finds her child inside and he takes her with him. Omaima's life begins to collapse, as she believes that she has lost her daughter, which makes her devotes her life to supporting the orphans' rights in various care homes.

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The events of the series revolve in a comic framework about (Moza) and (Thnayan), the heads of a family, which includes 5 children, who together try to constantly reunite the family through the weekly meeting of the grandparents with their children and grandchildren in (Zuwara), shedding light on the problems that afflict family relations, which It can cause disconnection or strife if not handled wisely.

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A Kuwaiti mother has six daughters and one son struggling with her daughters after leaving her husband's house to start a new life.

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Silver is a fifty-year-old woman, but her mind stopped at ten years and influenced her in terms of behavior and thinking, she is kind and affectionate, dealing with others with pure intention. But she has many experiences with her family and those around her, where many treat her with opportunistic.

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The role of the events of the series in a comedic form is through the plots hatched by the young (Malak, Khaled, and Ali) against each other or against the adults, which leads to them getting into trouble all the time.

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The series presents in a political context and boldly many topics, foremost of which is the subject of the election through a tragic treatment surrounded by the comedy of the situation from all sides.

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Nadia seeks to catch a rich husband and trap him in any way, so she tries to get close to Ziad, then his brother Essam, and finally she marries their father, Saleh, without any of them knowing about her relationship with the other. Things develop when Saleh learns about the matter and what Nadia seeks.

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