Mariya Lapshina

This funny and tragic film explores the struggle to cope with the death of someone close to you. The main character, Tolya, who has just entered university, is confronted with the death of his mother from cancer and unexpectedly shoulders the responsibility of organizing the funeral: obtaining a death certificate, choosing a coffin and cemetery plot, calling relatives, and meeting his long-lost father. Irony becomes Tolya's only way to cope, so the characters and the world around them transform into grotesque versions of themselves: a nurse-bartender, a sinister cross seller, and an army of ninjas. But behind every humorous detail lies genuine pain.

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Social worker Rita spends her working days in the apartments of lonely elderly people. She refuses no one, helping everyone in need. Rita's life will begin to fall apart as soon as her son finds himself in a situation that leads to his death. And the woman's life will turn into hell.

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Four friends from a provincial mining town receive an order from "above" to intimidate and drive away a visiting blogger from the capital, who intends to highlight local environmental issues and raise the issue of a brown coal fire in a local open-pit mine. But from the very beginning, everything goes wrong for them: lateness, alcohol, arguments and inexperience make their own adjustments, and they themselves find themselves under fire.

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Moscow, 1980s. The film studio is filming the feature film "Nora" based on Henrik Ibsen's play "A Doll's House". An actress from Leningrad is invited to play the main role.

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About what leads to sex, and what happens immediately after it. In one of the novels, a guy agrees to have a child with his best friend, unaware of her insidious plan. In another, a casual acquaintance makes a vegan wonder if sex contradicts her beliefs. And the dispute between two strangers about feminism is resolved in bed, where a woman is not going to remain in debt to a man. The heroes of the stories tell not about sex, but about what surrounds it.

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Three boxers from Chelyabinsk decide to earn extra money at the Moscow tournament on fights without rules before flying to the World Championship. After learning about the violation of the sports regime, the head coach excludes them from the national team. The guys are eating sadly in a restaurant, discussing the inglorious homecoming. In the same institution, a business dinner of a well-known Moscow lawyer is held, with the protection of which, through no fault of the guys, a conflict ensues. Boxers demonstrate their skills and naturally end up in the police. They face imprisonment. However, the lawyer offers a deal: become his bodyguards or go to jail. The brave trio decides to change their tracksuits to classic ones.

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Yura, a traffic police officer disappointed in love, turns out to be an accidental guest of a wedding party at the dacha of Moscow creative youth. The happiness of the young couple and the atmosphere of the evening make him remember his own feelings.

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A subtle melodrama in the old style about youth, memories and the first infatuation that never stops to shine. It is a story about the encounter between two separate universes, of a Russian student and an American researcher, in a tent in nature amidst stunning landscapes of the Caucasus. It begins well and ends well, too. The visual form which illustrates the film contents is an experiment with the format and the use of black, white and colour. With a scent of nostalgia, this cinema evokes the spirit of narration that is rare nowadays. It pays tribute to an old-style romance and is an expression of longing for the little big experiences in life.

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A story about Russian aerospace engineer and scientist, creator of well-known Soviet helicopter Mi-1 and the founder of Mil Moscow Helicopter Plant

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18-year-old Sasha is in love with her dorm neighbor and passionately hates the latter’s boyfriend, Egor, who illegally lives in their room. More than anything, Sasha wants to get rid of Egor — at any cost. She doesn’t know yet that sometimes a dream coming true is the worst that can happen.

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The second part of the film “About Love”. Moscow, summer 2016. A new lecture, a new lecturer with a new theme: “How to preserve love in the modern world” – and five new stories about love. The heroes still suffer, struggle for love, even more often get into absurd and ridiculous situations, and yet they trust in love even more.

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In the center of the painting is the story of the artist Troshcheikin, his wife Lyuba, her mother and sister. They live abroad, in a provincial small town populated by compatriots. The unexpected return to the city of a certain Barbashin turns the life of the family upside down. Five years ago, in a fit of jealousy, this man shot at Troshcheikin and his wife, wounded them and, after going to prison for six years, promised to return and finish what he started…

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Kira Georgievna is a famous sculptor. She has a loving husband, friends, and fans. She seems quite happy. But one day the past breaks into Kira's well-adjusted life: Vadim, her first husband, appears. In '37, he was repressed and spent 20 years in camps.

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Polina, 40, suffers from anterograde amnesia, which forces her to re-learn every day that her daughter Taya is missing. But the mother refuses to believe in the worst outcome and, despite her illness, conducts her own investigation, reconstructing the events of what happened with the help of a diary. Polina increasingly suspects that Tai's disappearance is not an accident, and her family is hiding the truth from her.

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