Julian Hilliard

Wanda Maximoff and Vision—two super-powered beings living idealized suburban lives—begin to suspect that everything is not as it seems.

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Rooted in the conflict between characters connected to the deity Santa Muerte and others allied with the Devil, this saga explores an exciting mix of the supernatural and the combustible reality of 1938 Los Angeles, a time and place deeply infused with Mexican-American folklore and social tension.

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Second unit director Jonas Govaerts interviews Stanley, principle cast, and the producers about the making of the film. Wonderfully structured, “Hot Pink Horror” takes the audience through why this story was selected, how Stanley became director, how Cage became involved, why they shot the film in Sintra, Portugal, and much more. Even though 20 minutes doesn’t seem like much, Govaerts packs such a great deal of details on production, both creative and technical, that it’s almost a bit like a mini film school. If you really dug Color Out of Space, this is the piece to dive into and enjoy.

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The Gardner family moves to a remote farmstead in rural New England to escape the hustle of the 21st century. They are busy adapting to their new life when a meteorite crashes into their front yard, melts into the earth, and infects both the land and the properties of space-time with a strange, otherworldly colour. To their horror, the family discovers this alien force is gradually mutating every life form that it touches—including them.

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Suburban soccer moms find themselves constantly competing against each other in their personal lives as their kids settle their differences on the field.

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Flashing between past and present, a fractured family confronts haunting memories of their old home and the terrifying events that drove them from it.

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Angela and Jessie are best friends intent on taking a wild beach trip, but when their roommate loses all of their money in a drug scam, the girls -- blissfully stoned -- go to increasingly daring and absurd lengths to get it back.

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