Nethalie Nanayakkara

This narrative follows a free-spirited, resilient young woman navigating the stark economic and cultural contrasts between rural traditions and modern urban realities. Driven by themes of personal sovereignty and identity, the plot balances her inherently vibrant nature with the heavy emotional demands of deep-seated family obligations and secrets. As lighthearted romance gives way to intense domestic conflict, the protagonist is forced to confront shifting social expectations, testing her psychological endurance against systemic pressures and personal betrayal in her fight to protect her core values.

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Behind a struggling filmmaker stands a wife holding a marriage on the edge of collapse. When some hidden truths surface, her quiet endurance is tested beyond its limits.

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The story centers around a woman in her youth navigating intense emotional pressure and the complexities of a challenging romantic relationship. As lives intertwine and secrets surface, the series delves into themes of loyalty, betrayal, and the fragile line between love and indifference.

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All the teachers of Sooriyapaluwa primary school left due to malaria pandemic . Uncle Pala who was the helper of the school , continued to teach the students in a different style.

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In a land where a 17-year-old poor schoolgirl goes to the probation prison for stealing eight nuts of coconut, while corrupted officials, businessmen and drug lords, go scot free. A saddened honest police officer stands against the social injustice and corruptions, hoping to create a just and fair society for the sake of Good Governance, but in trouble as the Mafia want him dead or silence forever. Then the poor girl in prison decides, that it is their duty to challenge the existing system.

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Heena Hoyana Samanallu (Dreaming Butterflies) (Sinhalese: හීන හොයන සමනල්ලු) is a 2017 Sri Lankan Sinhala family drama film directed by Rohan Perera and produced by Sunil T Fernando for Sunil T Films. Shehan, who belongs to a higher middle class family is the only child of Madhavi (Dilhani Ekanayake) and Adithya (Saumya Liyanage). Their lives changed unexpectedly when Shehan is diagnosed with leukemia.

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Rangana is a young musician from the working classes who dreams big. His aim is to rise above his station, even as he toils the low-rent barroom circuit with his band, playing night after night to under-appreciative crowds to make a frugal living. Tanya is the love of his life, the woman whom all this will be worth achieving. She is just finishing school. As he toils through the nights, his need of a mode of transport - a motor bicycle - becomes more and more apparent. He dreams of one day collecting enough money to buy one, finally buying a second hand motorbike despite his mother's great protest. He now wants to taste his new found freedom with his beloved Tanya, along the city streets of Colombo. As Rangana and Tanya embark on this motorbike journey across the city, questions about their present, challenges to their future and the very essence of their lives is brought to the fore, in "Motor Bicycle."

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The film takes place where an ancient King Hunther (Vijaya) was awaken by a hundred years sleep and started to modernize to present day world. He finally became a minister with the help of his present day friends Hector (Mahendra) and Moreen (Anarkali).

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A film that touches Life, Death and Expectations.One Person’s death fans the flame of expectations in another. the life that begins with that expectation ultimately ends in death. Loneliness, loss of social contacts and deceit are the underlying human conditions of the film.

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Young Buddhist monk Ananda, arrives at a temple in order to restore its paintings. These paintings depict Thelapaththa Jathakaya, a moral story where Lord Buddha said that a man with a big target in life must not be swayed by passion (Keles), the five senses and especially beautiful women. One day, Ananda picks up a hair pin belonging to a young woman. While attempting to return this object to its owner, his repressed feelings are awoken by the beauty and sensuality of the woman. The young monk's inner spiritual world is plunged into turmoil. Then one day the paintings are destroyed. While restoring them for the second time Ananda begins to realize that he is trapped in a web of his worldly desires and attachments.

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