Fritz Alberti

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A painter working at the Louvre is struck by the Mona Lisa. When he meets a girl whom he believes bears a resemblance to the painting, and who wants him to become famous, he comes up with the idea of stealing the painting. Based on the real-life theft of 1911.

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When actress Mary Baring is found in a daze beside her colleague's murdered body, all evidence points to her guilt. During the trial, juror Sir John Menier doubts the verdict, but yields to pressure. Haunted by remorse, he launches his own investigation.

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Suspicion surrounds a lieutenant for killing his father; based on Dostoevsky's novel.

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The film focuses on the leadership of the Great Powers of Europe in the days leading up to the outbreak of the First World War.

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Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

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The lively Anny meets the nice Dr. Jack Braun and throws everything in his life into disarray. As Jack is in the middle of divorce proceedings against his wife Renate, his lawyer and best friend Richard doesn't like the idea of a female being in his vicinity. Then Jack's heiress Frieda comes to visit, and when she finds Anny in Jack's house, she mistakes her for his wife - and finds her extremely charming. When the aunt's parrot dies, the relatives believe that the aunt has died and rush to claim the inheritance. Anny emerges victorious from all this.

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a music movie by Heinz Paul

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Also known as Darling of the Gods, this was Emil Jannings' second talkie appearance. Jannings stars as famed operatic singer Albert Winkelmann, who is greeted with cheers, applause and romantic propositions whenever he performs in his native Vienna. But when he embarks on a tour of South America, tragedy strikes. The sweltering climate causes Winkelmann to lose his voice on stage, a disaster met with hoots and cat-calls. Dispirited he returns to Europe, where he soon learns that no one is aware of what happened in South America. Intending to retire so as not to be exposed to further humiliation, Winkelmann is goaded back on stage -- where, miraculously, his gorgeous voice returns.

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Due to an intrigue spun by his grandmother and two cousins, the engagement between the officer Hans and his fiancée Traute breaks up. His fiancée is said to have been unfaithful during his 4-week absence on official business. The fabricated rumors allege an affair between Traute and Oberleutnant Grobitzsch.

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Ivan Mozzhukhin is a "...hot-headed Caucasian mountaineer leader whose irrational behavior comes to the attention of the Czar . Hoping to use Hajji Murad as a go-between in his plans to conquer the Caucasus mountaineers, the Russian ruler finds that the hero is not so easily manipulated. Rescuing the beautiful Saira from the Czar's clutches, Hajji Murad leads the mountain people's revolt against the despotic regent." Needless to say, the film ends in tragedy.

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A young doctor gets stuck on a ship after treating an injured first mate. Later, he rescues a woman from plane wreckage, and with the help of the cook, he hides her away from the rowdy and dangerous crew.

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Young Angélique has a crush on the famous writer René Vernon. One night she follows him, sleeps with him and becomes pregnant. Years later, she meets Vernon again, but he doesn't recognize her...

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George Manolescu (Ivan Mosjoukine) plays a confidence man who works his way from Paris to New York. Along the way, during a train ride to Monte Carlo, he meets the voluptuous Cleo (Brigitte Helm). They have a whirlwind romance that ends suddenly after she flees from him.

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Drama of plot and intrigue in Imperial Russia.

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A young engineer falls in love with the Russian countess Tatiana. Their relationship describes the turbulent times of Russia, when it entered the war and later the Revolution. In addition, the monk Rasputin has an important place in the story.

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When Hamburg ship's mate Klaus Brandt catches a thief one night at the port, his downfall is pre-ordained. For the thief turns out to be a young, attractive woman and the otherwise upright sailor allows her to slip away. Jenny is the star of a local dive bar, with a side-line in smuggling.

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A handsome barber in Sweden doesn't know he's actually the Crown Prince of a Balkan kingdom in this charming Swedish-German comedy that effortlessly weaves together multiple Ruritanian tropes.

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The daughter of a wealthy industrialist falls for a pickpocket.

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König der Mittelstürmer / King of the Centre Forwards refers with the name of its hero to the German soccer legend of the twenties: Tull Harder, star of the Hamburger Sport Verein (HSV). But the story itself is completely fictitious: The son of a trade company's director falls in love with the daughter of a big American oil magnat. But she suspects him to be only interested in her money. So she buys his father's company to take revenge on him. The son's true love is soccer, and from the very first moment the soccer fever is present throughout the film. It starts with pictures of a soccer game and even an apple or a crumpled up paper must serve as substitute for a ball. Whereas Die elf Teufel promotes soccer as "the sport of the century", König der Mittelstürmer shows the hero's father who still has to be convinced from its importance. He hates soccer and blames everybody to be "soccer crazy".

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Die elf Teufel / The Eleven Devils was made in Berlin in the summer of 1927, in the last throes of the silent movie era. But Die elf Teufel strikes one today as a prophetic film. One of its early captions is "Football, the sport of the century ". We are shown a ball bathed in light like some sacred relic, and observe how, even in those early days, fans on the terraces wouldn't shy away from using their fists.

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