May Leong

Once gang member Tai revitalizes his life by running a laundry shop in an old district. The quiet man finally leading the ordinary life his dead wife longed for. However, he encounters a gangster bullying the remaining residents of an old apartment building. Is he going to turn a blind eye for the unjust? This film is supported by The Joseph Lau Luen Hung Charitable Trust and presented by the Federation of Hong Kong Filmmakers.

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Tai is the middle-aged owner of an Internet cafe, but unfortunately, it’s not doing so well. It’s mostly empty, especially because, as his landlord points out, kids play games on their phones nowadays. He decides to participate in the Hong Kong One Shot Esports tournament and hopefully win the grand-prize money to save his business. To qualify, he needs to be part of a team, so he recruits Solo, a recently fired esports player facing a decline in his career; Fay, who started working at Tai’s Internet cafe after not lasting long at her previous jobs; and former movie star Octo, who plays games with his elderly wife to help her exercise her brain and fight the degeneration process. Together, they call themselves Happy Hour, and they’ll combine their strengths in gaming to win this fierce competition. It ain’t over till it’s game over!

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Anyone who has anything to do with the film industry in Hong Kong, must have heard of a film buff called Lil’ Kim. He knows everything there is to know about filmmaking. Whether it’s on the set, at the movie premiere or at a press conference, he always shows up uninvited. Nobody knows where he came from and why he showed up… Ginger Keung is the producer of a reality show who suspects Lil’ Kim is in fact a film critic who pans movies to extort advertising dollars from film companies. She zeroes in on Lil’ Kim as her next target and decides to dig into his elusive past…

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Mei-chun’s family seems to get along on the surface, but everyone holds a secret. Mei-chun desperately wants to see her father again; her brother hasn’t told anyone that he has separated from his wife; and her mother still feels guilty over her husband’s departure years ago. As Mid-Autumn Festival approaches, can the family mend its wounds?

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Sunny girl Amber, with a backpack and her beloved cat in tow, encounters the young landlord, veterinarian Ray, a new page in her life is about to be turned. Unbeknownst to her, the subdivided apartment run by Ray harbors a diverse group of tenants and a dark secret. Meanwhile, an unidentified female body was discovered under a cliff, police investigations fall into a bizarre dilemma while identifying it ...

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In 1980s Hong Kong, troubled youth Chan Lok-kwun, a mainland refugee, struggles to survive in the Kowloon Walled City by joining underground fights. Betrayed by crime boss Mr. Big while trying to buy a fake ID, he steals drugs from him and seeks refuge in the Walled City, where he encounters Cyclone, a compassionate yet authoritative crime lord.

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YUM Investigation is a detective agency that specializes in the supernatural. With their new member Kojiro, the agency investigates a developer who dispatches evil spirits to scare away the residents of an old building. When they discover that the spirits were created by a sinister “spirit refiner”, the investigators must use every trick up their sleeves to crack the case.

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Chiu, a lonely teenager, always feels disconnected from school and home. One day, she comes across a poor stray cat on the street and takes it home for a decent bath. Unfortunately, the cat dies at her home eventually. However, its death unexpectedly brings her the long-awaited attention she has longed for through social media, leaving her feeling content.

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We cannot escape from bureaucracy in life as well as in death. Quickie promises his grandma to handle the forced removal of his great-grand aunt’s niche. But without the ancestor’s identity documents, Quickie cannot apply for public columbarium niches. On the other hand, grandma refuses to have the evicted ashes brought home for fear of bad luck. As he struggles with bureaucratic red tape, Quickie thinks of one inventive solution after another to find a temporary home for the ashes. The story is a biting commentary on ridiculous public policies rendered in vibrant, energetic colours and groan-inducing jokes to highlight the absurdity of the situation.

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For his project under the lauded First Feature Film Initiative programme, director Ka Sing-fung tells the heartrending journey of a woman whose life is forever changed by the children she takes in as a temporary foster carer. In a career-best performance, Sammi Cheng stars as Mei, a woman trying to get over the death of her young son through the children she welcomes into her home. Each ward offers Mei a different challenge and a newfound appreciation for the difficulties of motherhood, but when her dedication to the job causes her marriage to turn sour, Mei is forced to make a choice.

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In the era of the coronavirus, Genius was left behind on the street by his girlfriend and his mother passed away soon. Genius worked in an antique shop. His boss asked him to get rid of a box of feng shui stuff as far away as possible. However, he barely could find a rubbish bin. When he found one, the rubbish bin was too full and he decided to just left it there. Unfortunately, an officer ask him to pick it back up. He went everywhere to seek a rubbish bin but never succeed.

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Veteran detective Cham works with rookie cop Will to hunt down the city's serial killer. The investigation leads them to a lair littered with dismembered female limbs, and an ex-con who killed Cham's wife and child years ago...

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Choosing between family, school and her dream, which will it be, will Fong return the school or step on the stage?

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Gay partners Chan Yui and Ka Wing are happily in love, until Chan Yui enters a marriage of convenience with his lesbian friend Fung Ming to appease his parents. Under great pressure, Ka Wing is forced to accept this sham marriage but can things ever go back to normal?

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After suffering life changing injuries in the line of duty, bomb disposal officer Fung turns his back on the police. But when a devastating series of bombings sweep Hong Kong, the police suspect their former ally may be involved after he is found unconscious at a crime scene. Now faced with memory loss and recalling only fragments of his former life, Fung sets out to uncover the truth and find out who he really is.

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This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.

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In a traditional fishing village where most youngsters have left to work in the city, the older generations are left behind. Ren, a widow who lives in the village helps her neighbour, Mrs Wah, to deliver a gift to her son, Chung in the city. Ren finds out that Chung is leading a harsh life. Back in the village, there is no one with whom she can share this secret. The only refuge from the sleepless night is her deceased husband. A Thousand Sails is a short tale about the poignant separation between city and village, mother and son, life and death. With long shots and sophisticated art direction, Eric Tsang Hing-weng compellingly captures the actors’ performances, especially that of Professor Chow Po-chung’s surprising debut.

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A story of two women, Christy Lam and Wong Tin-lok, who are both turning 30.

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An absentee father and his bipolar son are forced to live together as they struggle with a recent family tragedy. The tension and anxiety boil as they live and try to cope in a tiny apartment. As time passes, they realize their shared pain is not their only source of grief, as they find the outside world is a cruel and unjust place.

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Like a cactus, a marriage is expected to last but not without a few prickly details. While the bride's mother is in bliss over her elder daughter's upcoming marriage, the bride's sister is doubtful after witnessing the groom on the street with another woman. As the bride discovers her fiance's affair, the torrent of events prompts a pointed conversation between the three women, highlighting their contrasted views on marriage and fidelity. The bride is veering towards a meltdown while her sister grows more skeptical of marriage.

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Fan Kwok Sang's schizophrenic breakdown led to the accidental death of his wife Wai Ling, and he was committed to a psychiatric hospital three years ago. Now Fan is ready to be released, with Dr. Chow Ming Kit vouching for him even though his senior objects. However, Fan finds it hard to cope with his new life. Something bad happens to him and Chow becomes obsessed in trying to defend his patient, as well as save his own reputation.

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Yee-tou cannot recover from her sorrow at her fiancé’s death. Her admirer Heem with a quiet and introverted character is kind enough to take care of her. Deeply depressed, she resists taking her medication and suffers from frequent hallucinations. Eventually she kills herself in front of Heem, who is consequently infected by her depression, and keeps a tank of goldfishes at home. From a glass fish tank to our world, are we living in a true world or is life an illusion? “The Glass City” is a love story with sad sentiments mentioning the limitations in life as if goldfishes living in a glass tank.

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Raymond is a boyish thirty-something content with his wife Nancy and son Kai Zhen who studies K2. Nancy decides to spur up Kai Zhen's "talents" with an onslaught of extracurricular activities. They are tickets to a handful of certificates and awards so that Kai Zhen will not be overshadowed by other kids and may receive placement in more elite schools. Disapproving of the move, Raymond hopes his son could enjoy his childhood. Nancy insists and asks Raymond to find Kai Zhen a referee for school enrolment. In the meanwhile, Raymond was sacked and had to leave his job of twenty years. A painful journey begins with his job hunt and eventual sale of his own favourite toys and pleasures. For the sake of his son, he swallows his pride and begs his old boss to be his son’s referee.

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ICAC principal investigator William Luk takes his job seriously, and he needs every last scintilla of support from his team to take on the powerful and cunning Supt Wong, who is corrupt to the core. Wong is an enthusiastic tool of the monstrous Malcolm Wu, a cowboy big-time share trader who will stop at nothing to secure a large slice of the upcoming float of the HK government pension fund, worth billions.

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Ling really has no idea why Chi always follows her. Their classmates also feel that Chi is getting to be like Ling, and her pet phrase and her stationery are the same as Lings…

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At the first glance, a crayon drawing appears the very portrait of a happy family, but a closer examination reveals that something is amiss. Lam Tsi-hei is the eldest son of a family that stares darts and hurls verbal abuse at each other, complete with sibling antagonism and resentment bred by thoughts and feelings left unexpressed. Directly a film on a subject fiercely personal and close to his heart, Tsi-hei digs up a crayon drawing from his boyhood. While cherishing the memories of an affectionate bond that skips a generation, he realises he must go hat-in-hand and repair his relationship with his estranged family.

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On winter solstice day, a tram arrives at the terminus, depositing the last passenger in an old neighbourhood. Roaming eerily empty streets among surroundings at once familiar and strange, the old woman has her mind firmly set on one task, prompting her panic-stricken son to abandon his work and speed to her side. Somewhere, sometime else, a young woman is frantically searching for her little boy. In a city that prides itself on overnight transformations and clearing out the old to make way for the new, the mother takes her son on a reverie where the past and the present, memories and realisations are immutably and inexorably mixed.

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What’s the price one will pay for one’s beliefs? Chan Siu-yau’s life is forced to a halt after being charged, somewhat belatedly, with unlawful assembly and assaulting a police officer during a demonstration in support of striking dock workers over a year ago. In the eyes of fellow activists, she’s no radical, just a concerned citizen singled out for punishment amid an escalating tug-of-war between law enforcement authorities and rights advocates. While Yau is working her shift in a restaurant, busy taking orders and sorting out dirty dishes, the annual June 4 candlelight vigil takes place in the pelting rain, bodies soaked but high spirits undamped. Having missed her university admission exams with two criminal charges looming over her head, what does the future hold for her? Is she guilty as charged?

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Colin feels trapped in life with no way out – thrown in at the deep end at work, stuck in a relationship that has run its course, losing touch with friends who have drifted apart and smothered by family pressures with endless bills to pay. Out of the corner of his eye, he notices a dim light flickers, a spark of inspiration to go on an escapade on wheels: a fantasy joyride that promises to drag himself out of the doldrums, allows him to work out a sweat and take in a breath of fresh air, if only just for a stolen moment.

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In the first of a two-part film project, three short stories from acclaimed Hong Kong writer Lilian Lee are adapted for the big screen in this horror anthology.

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To a wheelchair-bound elderly woman abandoned to the care of a foreign domestic maid, a phone line is a lifeline that connects her to a cross-section of females from a jumble of bygone eras. As she showers persistent but inconsequent questions on her unwitting receivers, she drifts further from reality, her lucid moments increasingly rare. Struck by the doctor’s advice, her son takes the first step towards helping her separate fact from fantasy, and by relating the nostalgic past to the present, unlocks old memories that are waiting to be shared.

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Seated in the front row of a funeral hall are a boy and a teenager, the picture of the deceased yet to be placed. A florist, Tung (Ai Wai), is consumed by grief but puts on a front for others. The boy drops by at the florist and orders a custom floral arrangement - a teddy bear-shaped wreath with his favourite yellow flowers — to be readied in three days' time and paid with money saved up in his piggy bank. Tung forges an unlikely friendship with his young customer, an encounter that releases bottled-up emotions so that healing process can begin.

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After suffering a stroke, an altruistic maid announces that she wants to quit her job and move into an old people's home.

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