Holger Juul Hansen

At The Kingdom, Denmark's most technologically advanced hospital, a number of strange and otherworldly events begin occurring, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft, and a doctor's fetus begins growing at an alarming rate.

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A disturbed loner can't tell the difference between fantasy and reality.

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The tween, Mads, finds it hard to fit in. Having feelings for a girl in class and a clumsy farther who is a teacher at his school doesn't help. By an unforeseen chance of events, Mads becomes somewhat of a hero, but will he win the girl?

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FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

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Criminal genius Egon Olsen presents his accomplices Benny and Keld with yet another infallible plan that can only end badly. The booty is a red suitcase containing values ​​worth five million. The sinister mastermind Bang-Johansen carries the suitcase. The Olsen Gang follows him to Paris, where they put their cunning and carefully organized plan into motion.

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As usual, Egon has an ingenious plan. And, as usual, it works just fine until one of the gang members makes some kind of funny error. This time, however, even Egon's life is in danger, for some international criminals try to get rid of him by throwing him into a container filled with acid.

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Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.

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The painter Else Kant is in crisis – both artistically and personally. She is dissatisfied with her work and suffers from severe hallucinations and suicidal thoughts. She therefore voluntarily admits herself to a psychiatric ward, where the renowned Professor Cornelius reigns with great authority.

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Egon is starting to be a little forgetful; he forgot the zone number, so he fails to open the strongbox. When he gets out of Vridslose State Prison, Kjeld and Benny have become associates of Yvonne's cousin Georg from America. He is not just some old-fashioned strongbox thief that can't remember like Egon, but a young hip IT criminal, that thinks that everyone else is inferior. However, Egon doesn't take lightly to the Georg's patronizing so he sabotages Georg's computer and ruins his cup. This time Egon's ambitions reaches a new high, when he and his gang break in to the World Bank, and they get away with it. Of course, thanks to Yvonne, they aren't rich very long.

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When a boring collage professor is mistaken for his cousin, he gets into all kinds of trouble, with hilarious results.

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Claus celebrates his promotion with a night out on the town. Ebbesen wants to close a workshop and Allan gets fired. Ulla, who is bored in her marriage, rekindles her old relationship with Allan and tries to find evidence against Ebbesen's shady dealings. Ulla and Allan flee together and make plans against Ebbesen, but the police are ready for them when they arrive.

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The terrorism from a juvenile gang culminate when the gang leader kills a gang member who want to leave the gang.

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After a stay in a sanatorium due to violent behavior during an arrest, Detective Karl Jørgensen is transferred to the fraud department. Here, Karl discovers a case involving his ex-wife and her new husband. When Karl begins to investigate the case, he is stopped by the police chief. Karl teams up with journalist John Bullnes. They gradually get closer to the truth, but are stopped when a suspect commits suicide. Karl is suspended and Bullnes is sent to Berlin on an assignment. Karl then takes the case into his own hands and arrests the city's mayor and a major contractor.

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Three young men discover a scam that three somewhat older gentlemen from Aarhus' upper class have set up to avoid bankruptcy. The gentlemen directors have both accounts and safe deposit boxes at the bank branch where one of the young men works, so it seems only natural to give the swindlers a taste of their own medicine, so to speak. The situation is further complicated when a journalist gets wind of the double heist and wants his share of the pie.

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Early morning. A young couple enters their apartment after locking themselves out. The home is completely empty and dark, and there is no sign of the family who had been their neighbors for years. The lights don't work, and when they finally manage to light a match, they see the body of the old girl slumped in an armchair.

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TV reporter Mille wants to be liberated from matrimonial restraints and have more than one man in her life. She spends time with her friends, bisexual intellectual Suzanne and prostitute Lise. They mostly talk about men and women's lib.

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Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.

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Bertram is very happy with his life, but is encouraged to seek new challenges. Bertram is tasked with getting Merland to sign a contract with the municipality, but it is not easy, as Merland has changed his mind. Meanwhile, Jannie is considering moving out of her parents' house and in with Pelle. Henrik and Louise's relationship is on the rocks. Louise thinks Henrik is having an affair with Lisa. Henrik and Lisa's attraction to each other is obvious, but Bertram doesn't notice anything. Lisa and Bertram's lives take a sudden turn when Henrik dies in an accident. Erling tries to make Bertram the municipal director after Henrik's death, but of course, this doesn't come without a cost.

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After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

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This television film records Ingmar Bergman’s Copenhagen stage production of Molière’s The Misanthrope, presented as a guest performance at the Royal Danish Theatre. The play centers on Alceste, a man who rejects social hypocrisy and flattery, whose rigid principles are tested by his love for the socially adept Célimène.

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Some young squatters have occupied a building that the insurance company wants to demolish, but Adam Berg hesitates to call the police on them. A difficult policyholder wants more money for a claim than the company has paid out. A former schoolmate pesters Adam to allow him to take out insurance he is not actually entitled to. A young man, Tom, appears in Adam's world. Is Adam homosexual? And Adam meets the lawyer, Paul, who is dressed in women's clothing and, as a crossdresser, is known as Sonja.

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Amalie is walking along the Copenhagen canal when a woman falls into the water. She jumps in and tries to save the woman, but ends up drowning herself. When Amalie wakes up in the hospital, she finds out that the other woman is dead and that the authorities believe she is the one who died. Now begins a long and tough battle against the bureaucracy of the Danish social system. It all ends with Amalie deciding to commit one crazy crime after another, culminating in an attempt to steal the crown jewels...

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The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

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A look at what happened when Denmark abolished censorship in the late 1960s.

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