Stepan Pivkin

Anton was a successful musician, but after the accident in which his girlfriend Lisa died and a year in a drug treatment clinic, he lost everything. Now he is returning to his hometown, where he has only his older brother Konstantin, who has always been his complete opposite. Konstantin offers his brother help, but with one condition. So Anton becomes a teacher at school and is forced to delve into the problems of teenagers.

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Alexander Pushkin is young, brash and adored by high society. He is the star at every ball he attends, his fans revere his poetic talent, and young women dream of winning his attention. However, not even his aristocratic patrons and loyal friends, nor his growing fame can keep him from dueling, getting exiled, and becoming destitute. Only when he meets his true love does he find meaning in life, and his genius develops to make him the legend the world knows today.

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An ambitious professor of psychiatry, Viktor Meshchersky, conducts a dangerous psychological experiment in which, under false pretenses, he locks victims and their abusers in the basement, hiding his true goals. The subsequent investigation will reveal the real motives of the professor, and will tie together the confusing stories of all participants in the cruel experiment.

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The history of the confrontation between two worlds: the Grand Duchy of Moscow and the Ural Parma, the ancient Perm lands inhabited by pagans. Here heroes and ghosts, princes and shamans, Voguls and Muscovites will clash. At the center of the conflict of civilizations is the fate of the Russian prince Mikhail, who fell in love with the young Tiche, a witch-lamia capable of taking on the form of a lynx. Passion for the pagan and fidelity to forbidden love, a campaign against the Voguls, bloody battles and a short peace, the battle between Muscovy and Parma, the hero will face trials in which it is not so terrible to part with life as to commit treason.

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Together with a team of eminent historians, the producers have pieced together all the events that took place on 14 December 1825 from the beginning to the development and conclusion of the uprising, showing the parts played by the main participants and organizers. A chronologically assembled chain of historical events offers viewers the chance to conduct their own investigation into the case and work out what really happened on that fateful night in Senate Square almost two centuries ago.

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It portrays the memories of Matilda Kshesinskaya and her love affair with the last Tsar of Russia, Nicholas II. Matilda, a Polish-born ballerina from the Mariinsky Theatre in St. Petersburg, had a brief and intense romance with Nicholas between 1892 and 1894, before Nicholas married Alexandra Feodorovna and was crowned Tsar after his father's death. It also explores their relationship, facing societal pressures and interference from Nicholas's mother, Empress Maria Feodorovna, as well as Matilda's involvement with other members of the imperial family, the Romanovs, such as Grand Duke Sergei Mikhailovich and Grand Duke Andrei Vladimirovich.

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Boris is called up for military service in a "hot spot". His bride Larissa, soon receives a letter stating that he was missing. A friend of Boris Nikolai, who was secretly in love with Larissa begins aggressively courting her and finally makes a proposal. The girl is forced to accept it. On the eve of her wedding Boris unexpectedly returns. Their feelings for each other are still there, but the young man disappears again ...

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The film is based on real events that took place in Samara in 1956 and known as the "Standing Zoe." During the holiday girl, without waiting her betrothed, removes the icon from the wall and Nicholas begins to dance with her, but suddenly freezes in place. This state continues for many months. Residents of the provincial town are frightened by this extraordinary event, which is cluttered with rumors and speculation. To try to understand the situation, there goes metropolitan newspaper journalist ...

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In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

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