Ella Hval

Werner is a private investigator. One day, the rich and attractive Stella Hvidsteen visits him in his weary office. She says that her sister Evy has disappeared, asks him to find her, and adds that her sister has red hair.

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The year is 1630. A young woman in Laupstad comes to a small mountain village. She witnesses a woman being hunted and captured.

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After her mother dies an isolated woman falls for their tenant. Based on a story by Odd Eidem.

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A game of chance begins when a tenement dweller is found dead in his kitchen after putting on a new frying pan he had won at bingo. The frying pan was placed among the prizes, and a mysterious bald person instructed the bingo leader to give it to the person who later became the victim.

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We are in NRK’s Nine O’Clock News studio at Marienlyst. As usual, Kjell Tue is at the microphone, and in the control room, Totto Osvold is at the helm. Bank manager Hugo Oswald is to be interviewed live, but suddenly collapses dead in the studio, poisoned in front of an open microphone. Police detectives Helmer and Sigurdson are assigned to the case. Pensioner Brockmann, the murdered bank manager’s neighbour, also becomes heavily involved in the investigation.

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Albert and Herbert Hansen love each other, in the way that fathers and sons usually do. They argue and bicker, but they don't take it too seriously. If it weren't for one particular thing, they could have continued indefinitely as companions and friends. But in the distance, wedding bells are ringing.

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Based on the television sitcom Fleksnes Fataliteter. Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.

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The anniversary of The Norwegian Artists' Association. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

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Lieutenant Colonel Brusefjær, a highly regarded "administrative officer" from his time in London, is a man with a keen eye for everything that goes on around him, especially suspicious individuals. But now he wants to relax, and together with his grandson Lille-Bertram and his caretaker Ole Gliset, he mans the houseboat Caroline 11 and travels to Hankø. The police have just received alarming reports of widespread smuggling – probably based in the outer Oslo Fjord – and a trusted investigator, Reidar Nissen, is sent on vacation to Hankø.

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It is midsummer in Oslo. There is intense activity on pier 1 just before the fjord boat is about to depart. The pier is crowded with people: families going to the countryside and fathers staying behind at home. Mrs. Rigmor Sande and her two children, Vesleper and Titten, are already on board and standing by the railing. Dad Per Sande, the soon-to-be grass cutter, is frantically searching for the family's suitcase, which has gone astray. The moorings are released and the boat is ready to depart. "You can leave your husband behind, but not your suitcase," exclaims the lively 21-year-old Ellen Stenersen. She and Per are left standing on the pier. They are old acquaintances and neighbors in the country. Per doesn't think being a grasshopper is so bad. He and his friend Stoffer throw themselves into the temptations of Oslo. The men are also accompanied by Ellen. Per and Ellen develop warm feelings for each other.

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Student Tom Polden lives in difficult conditions at home. His mother lives constantly on the memories of her deceased husband. Her little hat shop is rather poor and the economy is peal. Tom constantly hear about the magnificent father, and becomes a big blow when he overhears his father shot himself because he had embezzled a substantial amount of money.

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A six year old boy runs away from home with the family's big dog, a St. Berhard, who the grown ups wants to put down.

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Imber has a child with the dubious fiancé Erland. He is destructive and his unhealthy lifestyle subjects his family to starvation and the death of their child. Imber falls in love with Arne and a settlement between Arne and Erland unfolds.

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The movie takes place on Oslo's east side sometime during the twenties. It depicts the workers' environment by traditional elements like unemployment, strike, poverty, alcoholism, absent fathers, wise and tired mothers, the dream of a better life and the friendship between the boys in the street.

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