Takeshi Sato

A poignant and deeply moving story of the officers and men of the Saipan “Total Annihilation” Unit, who, longing for their loved ones back home, return to their homeland unseen.

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Hisaya Morishige is Kyutaro, a nuclear physicist and his twin brother, Eiji, a con man. Eiji finally hits on his most elaborate scheme yet, to pretend to be a king of a remote, undiscovered island, and becomes a media sensation.

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Keita, after his death, was taken to the court of heaven as Defendant No. 1361, where his past was projected. He was formerly a favorite of the Meriken Circus troupe, yet he sinned by exposing a certain woman. During the screening, he realizes what he has done, and fate gives him a chance to redeem his sins.

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As a bid to win contacts, ship building companies wine and dine political leaders, inviting the geisha Hidekoma and Hidechiyo to entertain the politicians.

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A novice city-based teacher's first assignment is to a fishing village's grade school. The young teacher's first week with her new students is enjoyable, but she gradually notices that many of the students are skipping school. Visiting her students after class, she realizes that many of them are charged with work and tasks like making money, toiling on the farm, doing housework or tending to their younger siblings. Many of them live in unhygienic homes due to poverty or overwork. She not only reports and explains the situation to the school's principal, but also attempts to improve the conditions by making textbooks, teaching cleanliness, and making her classes relevant.

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Two brothers move to their grandfather's house after their father is drafted and play war games with their new classmates.

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Chocolate and Soldiers (チョコレートと兵隊, Chokorēto to Heitai) is a 1938 Japanese war film directed by Sato Takeshi and one of the most effective Japanese propaganda films of the late 1930s. The American director Frank Capra said of Chocolate and Soldiers "We can't beat this kind of thing. We make a film like that maybe once in a decade. We haven't got the actors. It shows the common Japanese soldier as an individual and as a family man, presenting even enemy Chinese soldiers as brave individuals. It is considered to be a "humanist" film, paying close attention to the human feelings of both the soldier and his family. Cinema theorist Kate Taylor-Jones suggests that Chocolate and Soldiers provided "a vision of the noble, obedient and honourable Japanese army fighting to defend the emperor and Japan.

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