Amol Deshmukh

In the post covid world, Manoj, a young, struggling actor, is trying to cope with his personal trauma. On a village trip with his theatre peers he gets brutally bullied in the name of drunken fun. His friends leave him. He tries to find his way out of the village, battling shame and fear, without a stitch on. He comes back to Mumbai and starts stripping in public spaces. His life starts fragmenting to pieces. In his almost dysfunctional state he makes friends with a little boy living in the opposite apartment and finds that he is regularly abused by his father. This discovery sets him off on a complex journey of uncertainty and intrigue.

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Youngsters from humble backgrounds get unwittingly dragged into the dirty world of politicians and gangsters, and must now devise a plan to escape from this dirty game in the course of a single night.

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Namrata, a shy, introvert teenage girl living in a small village is suffering from leucoderma or vitiligo, a skin abnormality. White spots on dark skin have set her aside from others. Weird, sympathetic, penetrating ‘normal’ eye sights have made her feel guilty and embarrassed for who she is and how she looks.One fine day a young and vibrant teacher joins her school. A fine young man with strong belief in freedom and self-pride, he creates space for Namrata to breathe freely. She finds solace in his gaze, relief in his presence. Her isolated bubble is about to dissolve in ether. Romance is kindling teenage desires. Too much at stake, too much to lose…. Destinations seem far away, but the journey prevails…the complexes, the taboos, the inner conflicts are about to resolve…making her in to a different being altogether.

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The film is a metaphorical depiction of the turtle where in a drought struck village of Rajasthan, Sanjay Mishra (as Ramkaran Choudhary), is churning the parched, sun-baked earth, to extract water and the common folk indulged in a tug of war, rotating on his shell, desperate to quench their thirst.

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An Indian spy is married to a Pakistani military officer during the Indo-Pakistani War of 1971.

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Shukla, a newly-married rickshaw driver, struggles to connect with his painfully shy bride Lakshmi. Their woes are compounded by his friends’ bad advice and his family’s inability to understand the concept of personal space.

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Samira and Nazim, asylum seekers who fled after torture find themselves in the UK again detained by the state. They are on the fast track system, soon to be deported. With the clock ticking, the memories of their torture and what awaits on their return torment them. Will they be able to gain asylum in time? What will the cost be to their relationship?

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