Mathieu Busson

Is it more difficult for a woman to direct a movie? To finance it? To be respected by her team? Does she have a different way of looking at the world? Does cinema have a gender? In our two previous documentaries, we had already asked these very contemporary questions to 20 female and 20 male directors in France. But we have been eager ever since to expand the borders of our work, to question women filmmakers around the world. That is what this film has achieved, from Asia to Africa and Europe… All the women we met were funny, sincere, committed, concerned, and all looking for the best possible way to exist in an environment always governed by men. All FilmmakErs and living witnesses of the dysfunctions that still exist in the film industry.

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Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

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A mother of two mysteriously disappears one morning. Her husband isn't worried as they've had rough patches; his wife just wanted to give him a scare and will come home soon. But her lover is convinced she has been murdered by her husband.

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1934. Philippe falls in love with Odile, a beautiful stranger, and decides to marry her, against the will of his parents. They would have preferred a more bourgeois bride, ideally from their own milieu: the paper industry in Angoulême. Isabelle, for instance, whom they have known since she was a child, would have been the perfect match. But Philippe sticks to his choice and marries Odile. At first the newly-weds are passionately in love, and the whole family looks forward to the birth of an heir for the Marcenat family. But in vain. Instead, Odile neglects her marriage and devotes herself to drawing, a gift she inherited from her father. Or is her rekindled interest in art classes more the result of her encounter with the charming but mysterious artist François Crozant? Philippe sense that he's losing his wife and becomes madly jealous of François. Meanwhile Isabelle, who's secretly in love with Philippe, is just waiting for the right moment.

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Elsa makes a living from little jobs, struggling to gain custody of his son. Mathieu, who lives next door, also keeps getting job interviews only to polish his art of failure. Their situation is increasingly precarious, but both are trying to bounce back in a world that seems not to fit them.

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An unlikely friendship develops between a hitman and a suicidal guy who have both checked into the same hotel for different reasons.

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Bryan Mills, a former government operative, is trying to reconnect with his teenage daughter Kim. After reluctantly agreeing with his ex-wife to let Kim go to Paris on vacation with a friend, his worst nightmare comes true. While on the phone with his daughter shortly after she arrives in Paris, she and her friend are abducted by a gang of human traffickers. Working against the clock, Bryan relies on his extensive training and skills to track down the ruthless gang that abducted her and launch a one-man war to rescue his daughter.

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Paris, July 1793. The situation is explosive and the Terror is in full swing. In the midst of this world of violence and change, there is only one constant: women have no right to anything. Olympe de Gouges is one of the few who dares to speak out against this injustice. A woman of letters and fighting, Olympe was a direct opponent of Robespierre. Arrested by state police, she awaits trial, locked in a detention center. Among the other women convicted, Olympe will continue to fight.

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