Takahiro Kasagi

A budding novelist realizes his crime fiction is being used as a blueprint for real-life assassinations by a mysterious organization.

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21-year-old Shinomiya Yuki has no friends and spends his days alone working part-time jobs. One day, when he returns home as usual after a night shift, a male stranger who has been stabbed in the abdomen with a knife is sitting in his room. The man wakes up at the hospital that he has been taken to and identifies himself as Shinomiya Yuki to detectives. Then he points to Yuki and states that he stabbed him. Yuki flees the hospital right away and becomes a fugitive in an instant. At that moment, a mysterious woman called Zoka appears right before Yuki and asks him to help her take revenge on her father’s killer. He decides to collaborate with her. Zoka is a “leech” who goes from one house to another while its occupants are away. The two of them eventually encounter Kara, a legendary leech who lives like an empty shell solely for the purpose of revenge.

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Seiichi Habu is a member of the mysterious outlaw group Avalanche. The group exists at a time when moral hazards run rampant among politicians, bureaucrats, businesses, and even among ordinary people.

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The story continues from the Japanese SIGNAL drama series. In 2021, a limousine taxi driver causes an accident on a highway, and a high-level government official dies in the accident. The cold case investigation unit, including Kento Saegusa and team leader Misaki Sakurai, have doubts about the case. Meanwhile, in 2009, administrative officers die consecutively in car accidents. The police announce these deaths as accidents. Takeshi Ōyama believes that these deaths were not the product of simple accidents. At 11:23 pm, a walkie-talkie turns on and makes a connection between the future and past. Kento Saegusa and Takeshi Ōyama face the threat of bioterrorism.

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Two detectives communicate through a walkie-talkie to solve a cold case. One detective exists in the present day, and the other detective exists 15 years in the past.

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The basis for the drama is the novel “Kashikogi” by author Cho Chang-in, which has sold 2 million copies in Korea since its publication in 2000. It has already been adapted as a television drama and a stage play in that country. On February 4, Shogakukan is publishing the book in Japan under the title “Good Life.” Sorimachi plays the part of Daichi Sawamoto, a newspaper reporter who has always prioritized his work over his family. When his wife suddenly leaves him, he finally notices the love he has been receiving from his son. Just as he decides to answer back, it is discovered that his son has leukemia.

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Kayo Tsukiyama is an editor for a fashion magazine. One day she is assigned to be in charge of a popular comic artist named Yuriko Hanazono (a woman's name), who turns out to be four brothers, Wataru, Osamu, Satoshi, and Hinata. Since that day, the bond between Kayo and the brothers are deepened little by little. What is going to happen to Kayo's life? What are the secrets of the brothers?

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Nao Saeki (Arisa Mizuki), a successful stylist, is engaged to her caring fiancé, Kazuya Yuki (Tetsuji Tamayama). However, her life changes when her sister Miho dies overseas under mysterious circumstances, leaving her husband, Mitsuhiko Mochizuki (Kippei Shiina), with memory loss. Nao decides to take care of Mitsuhiko and his son, Yusuke. As they live together, Nao's feelings start to shift, growing beyond mere sympathy. As she struggles with her emotions for Mitsuhiko and her commitment to Kazuya, unexpected complications arise, especially when Mitsuhiko begins to regain his memory.

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Japanese-language drama television film written by Masatake Tamukai, directed by Hiroki Hayashi, and produced by Takahiro Kasagi. The film was based on actual events of 1922, when the cooperation of the Polish Committee of Rescue of Children from the Far East, and the Japanese Red Cross Society led to the transportation of Polish orphans from Russian Siberia to Japan, before they could have been relocated to Poland.

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Makoto Aida, 23, is a first year detective...a rookie. The only thing the rookie detective has going for him is the fact that he is a nice guy. Thinking that he can beat the recession by becoming a civil servant, Makoto takes all kinds of employment exams. The only one he passes though is to become a police officer. After becoming a policeman, Makoto gets assigned to work as a cop in rural, Okutama, and begins to look forward to the easy life. He somehow winds up helping out in the apprehension of a suspect of a brutal crime, and gets awarded a letter of recommendation, which incidentally is to become a detective. Being that Makoto doesn't like to get involved in other people's quarrels, he is relieved to find out that he will be assigned to work public safety issues instead of criminal investigations. -- Fuji TV

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