Edwin Crossley-Mercer

For years, *The Magic Flute* has been one of the most frequently performed operas at the Aix-en-Provence Festival. After an eight-year absence, Mozart’s work is now back on the programme. Clément Cogitore interprets the plot as a modern coming-of-age story: Tamino and Pamina leave the world of childhood behind and enter a reality in which beauty is fragile and truth is uncertain.

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With “Antigone,” the Philharmonie de Paris serves as the setting for a world premiere: an “operatorio” by Pascal Dusapin, brought to life by Christel Loetzsch in the title role, conducted by Klaus Mäkelä and directed by Netia Jones.

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Clément Cogitore adapts a short ballet excerpt from Jean-Philippe Rameau's Les Indes galantes, with the help of a group of Krump dancers and three choreographers on the 3rd Stage of the Paris Opera: Bintou Dembele, Igor Caruge, and Brahim Rachiki. Krump is a dance style that originated in the ghettos of Los Angeles in the 1990s. It emerged as a result of the riots and brutal police repression that followed the beating of Rodney King.

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Hervé Niquet presents in Paris his interpretation of Castor and Pollux, one of the most appreciated lyrical tragedies of the great baroque composer, in its version of 1754.

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Mozart's masterpiece in a new production by Jean-Yves Ruf for the Dijon Opera! Should we introduce the opera of all operas, this ultimate mythical opera? It is the story of a seducer, during the last day before he falls to Hell, always trying to play with love and pleasures. This myth inspired numerous writers and composers, including Hoffmann, Kierkegaard, Wagner and yet always remains inspiring. With his wonderful and moving score, Mozart mixes humour with drama in this opera that always fascinated people. And this work has not yet unveiled all its secrets...

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Les Boréades, this great life lesson delivered by a nearly 80-year-old Rameau, a carpe diem forged to the very essence of the dances, orders us to choose love over power, freedom over love. The most striking thing is without a doubt the intelligence of an actor’s direction that osmotically blends music, theater and ballet, encompassing expression, sensitivity, humor, narration and psychology in a single gesture.

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