Rahman Yacob

After the death of her grandmother, Rosmalina feels that there were supernatural beings living in her house. Reno, Rosmalina's boyfriend, tells her to move to other house. After moving, it turns out that the supernatural creature comes to the cinema where Rosmalina works and always terrorizes her. Finally Rosmalina knows that the supernatural being who always terrorize her to be in close contact with Nayla, her daughter. Rosmalina asks Nayla to expel the supernatural being but Nayla is angry and refuses to be separated.

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Siti Zahrana’s academical success makes her parents worried. Zahrana hasn’t married by her early thirties. There have been many men who solicited her, but she has refused them all politely. Zahrana’s conflicting issues spring up: to follow her parents’ wish or to pursue her own dreams. Actually she has relented once. She turns down a teaching post at Gadjah Mada University. The reason, her parents who live in Semarang don’t want her to be away. So Zahrana teaches at a Semarang university and stays with them. Then she also passes up a doctoral scholarship opportunity from China.

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One morning, Emak’s kiosk was blown with fireworks by Beno. Topan was very angry and wanted to revenge to Beno and his friend, Satyo. When Topan entered Satyo’s house, he instead hit Indah, Satyo’s daughter who was going to run away from home. Indah wanted Topan to use her as hostage and they both ran away from Beno and Satyo. A series of hilarious incidents folllows….

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Janus, a 34th century android, is trapped in the 21st century and caught in a war between nations. He tries to return to his own time to defend his nation, Genoc, with the help from Mayo and Indri, his 21st century friends. Two enemies are after them, as well as Draco's gunmen who are sent from the future.

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Dedi (Dede Yusuf), who married Menul (Ayu Azhari), when they were very young, tries to make a living as a clown at an amusement park. This job does not pay enough for him to make ends meet, so he and a number of his friends try to find a way out of the poverty they are trapped in. The opportunity comes when they find a the wallet of a wealthy man, who is impressed when they return it to him, and provides them with the capital to open a food stall, which they use as a stepping stone toward opening a restaurant. Through this story, the director, Chairul Raya, attempts to depict the way of life of the poor, while using the subplot of the love story between the clown and his wife to display his disdain for the mainstream tendencies in the Indonesian film industry. This film is at once moving and humorous.

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