Arkady Vaksberg

A look at the story through the prism of the present. Artists in front of the audience reincarnate in the heroes of the film (the poet Vladimir Mayakovsky; the women he loved and left him; the friends who admired him and backed away from him; the ruthless “Knights of the Revolution” who proclaimed him his banner) and lead the viewer “to” Mayakovsky, forcing him to live his love, creative, and human drama as his own.

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A group of friends, including Mukhin, a furniture factory worker, with his wife and son, go out on a day off. There are four drunk young men in the neighborhood. They pester vacationers and start a fight. They are rebuffed only by Mukhin. Protecting his wife and child, he hit the leader of a hooligan gang. Death was instantaneous. The rowdies turn out to be locals. They pretend to be victims, blaming the "tourists" from the city.

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A group of tourists from one of the southern tourist centers set off along the usual route. But on a mountain pass they are suddenly overtaken by a tornado. As a result, two people die and panic begins...

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