Roman Polák

A Prague police unit reopens time‑critical cold cases before the statute of limitations runs out, pairing a seasoned loner with a principled young detective to re‑examine old evidence and pursue new leads across real city locations.

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A boy is accidentally killed at an informal hunt somewhere on the border of two European countries. One of the people involved is Minister Berger, the hot candidate for the influential post of High Commissioner for Water Management, who will be tasked with finding the solution to increasing water shortages across Europe. The government hires secret agent Steiner to hush up the scandal. The more he investigates the case, the more embroiled he becomes in dilemmas of power and its execution.

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Standa Pekárek has three wishes in life: to drive a volga, to drive for the Humour and Folk Entertainment editorial office and to drive Got'ák. The five-part miniseries Volha is an adaptation of the novel of the same name by Karel Hynia, written in an extraordinary, bizarre and precisely echoed language. It can be perceived as a peculiar history of Czechoslovak television with a number of incredible, albeit real, "stories from the set". At the same time, however, it is a portrait of its main character - a limited egocentric who excels in inventing small tricks and deceptions - how to steal petrol, fake mileage, cheat his wife, get rid of the competition. Logically, he then also becomes a StB collaborator (with the code name Volha) who informs on all his co-workers and passengers without any remorse.

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Josef is a writer aged sixty, who thinks that nothing can surprise him any more. One evening, though, his phone rings and he finds himself caught up in a series of events that turn his world upside-down. His best friend – also a writer – tries to commit suicide; his young girlfriend Katka tells him she’s pregnant; and the man with hare ears – his alter ego from one of his stories – appears to him in everyday situations.

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Four episodes reveal criminal background of organized crime in post-revolution Czechoslovakia. Who can you trust yet? Czechoslovakia in 1992 - communist regime has fallen short time ago and soviet occupying army is quickly retreating back to eastern Europe. Wagons leaving the country are full of weapons, ammunition and equipment. Two young students testing new railway control system find out, that some of soviet wagons disappear on their way home. They try to find out the reason, but one of them is found dead and second way is probably on the run. Senior warrant officer Roman Redl with team of investigators is trying to reveal reason for murder and trace the criminal ties, that could leaves east from Czechoslovakia.

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Miroslav Válek was a Slovak poet whose sensitive and intimate work clashed with his political engagement in the communist party. How to approach this discrepancy, how to cope with it? Can one read poems while disregarding their author?

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Linda and Vanda, two good-looking women in their thirties, are inseparable friends and co-owners of a small bookstore in the city center. Linda is divorced, educated and practical, has a little daughter and a sense of responsibility. Vanda, on the contrary, is single and free, attracting men as a magnet, but none of them is able to keep up with her spontaneity. Edo, shy, sensitive, and introverted gay working with them in the bookstore, longs for love for ages too. The lives of this trio get finally tangled by several men, while everything turns up differently than any of them had expected.

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New husband Adam reluctantly takes a job with state security in a totalitarian country, thus becoming a secret police agent. This "contract with the devil" helps secure a flat for the happy couple, as well as a prosperous future. However, he soon finds out that he too is under surveillance.

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Young Dasha lives in a small town. Her father is a prominent man, the owner of a restaurant. However, when her father's connections are not enough to get Dasha accepted to college, she has to spend the summer working part-time in her father's business. Love, friends, even running away from home, all belong to this period of Dasha's life. The failed wedding arranged by her parents, the patronizing imposition of university studies at a price that the girl fears - all this brings on the one hand a deep disappointment in her own parents, but over time also the recognition of her own mistakes.

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