Irina Vybornova

Timofey Nazarov, the head of the colony in the remote taiga, still dreams of escaping to the capital — and is betting on cinema again. But Nikolai Videnin was released, and now Nazarov is transferring a new prisoner to his colony — the famous Moscow director Matvey Selyuzhitsky, who gets the nickname "Motor" and begins to reshoot iconic Hollywood action films.

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Nikolai Videnin is a failed film director who is forced to work in a regular video store in Leningrad. One day, Nikolai accidentally turns on an "adult film" for schoolchildren, for which he first goes to court, and then to a colony settlement. There he gets the nickname Vidik and now, instead of pressing the "Play" button on the VCR, the guy has to cut down the forest from morning to evening.

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An almanac of three stories.

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With the city in the throes of a flu epidemic, the Petrov family struggles through yet another day in a country where the past is never past, the present is a booze-fueled, icy fever dream of violence and tenderness, and where – beneath layers of the ordinary – things turn out to be extraordinary.

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What happened to Ophelia two minutes before death? What did Lady Macbeth do in prison? What if Romeo had a girlfriend before Juliet? What if the heroes of various plays know each other?

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A film about how we imagine and portray death. Our heroes are the most diverse people who have been asked to go through all the stages of death, from dying to existence “on the other side.” This study of fear and laughter - the two main reactions of man to the approach of death. Death as a collective (what will happen to everyone) and individual (what will happen to you). What is special about the attitude to death in Russia? Do we know enough about this most important event in life - death? The film creates a kind of catalog, a "herbarium" of human reactions, fears and hopes that there is life after death.

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The plot of the play 'The Last Ones' at the Gogol Theatre centers around the Kolomiytsev family. Their home resembles the ruins left after a bombing, and the characters themselves appear as the last survivors of a worldwide catastrophe. The appearance of their house symbolizes the destruction of age-old foundations and family traditions. Despite the fact that some of the characters make timid attempts at reconciliation and family reunification, singing songs around the campfire in unison, it is clear to the audience that the rift is inevitable and unavoidable.

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The play is dedicated to the unsuccessful marriage of Arthur Miller and Marilyn Monroe.

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