Koushik Kar

Chhipkali is a story which questions our limited understanding of the world, our misconceptions about life, derived only from what we directly witness. It highlights our incapability to look beyond the stereotyped realism.

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A teen boy- getting trapped in the world of fantasy, pornography followed by social crisis and then his self redemption -like the Bengali name for Deciduous trees, 'Pornomochi' - that sheds dead leaves and grows new ones towards a new life.

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The Sanyals, a wealthy family with a communication gap, meet Chabiwalah, a strange man who claims to own a key that can open any lock.

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Twelve jury members debate fiercely over a murder trial. Only one juror is convinced that the convict is not guilty of the crime and he tries to convince the rest that the boy is innocent.

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The film has been conceptualized as an apology letter to women from all sections of society, who have faced discrimination as well as have been victimized by both men and women in the patriarchal system.

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The film connects apparently disconnected stories of two men who have lost their way of life as a consequence of unexpected lockout or closure of factory.

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A writer who suffers from dissociative identity disorder finds his life spiralling out of control after he starts hallucinating the characters of his new novel. As the hallucinations become more frequent and his mental health worsens, his family turns to a renowned psychiatrist for help. Can he be saved?

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Mahendra Kumar Choudhuri, the middle prince of the Bhawal Estate was affected by syphilis and was taken to Darjeeling for treatment. He apparently died in Darjeeling and was cremated there. After 12 years, a Sanyasi shows up at the estate, arousing people’s curiosity and leading to a rumour that he is the lost prince of the Bikrampur Estate.

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Uronchondi is a film about the dream, desires and emotions of three women.

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Chhipkali is a story which questions our limited understanding of the world, our misconceptions about life, derived only from what we directly witness. It highlights our incapability to look beyond the stereotyped realism.

Open details →