Ellen Liu Oi-Ling

On Valentine’s Day, a double-decker bus explodes in a fiery blast, killing many and leaving charred remains, with evidence pointing to a deliberate act by two passengers, Fai and Ike, a gay couple from troubled backgrounds living on society’s margins. As retired forensic expert Lung Sir investigates, he uncovers their tragic story of abuse, homophobia, and despair, culminating in their decision to end their lives in a suicidal protest against an unjust world, leaving behind a haunting message: “On a beautiful day, we end our unbeautiful lives.”

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In 1970s Hong Kong, the Independent Commission Against Corruption (ICAC) was formed to bring down the corruption syndicate led by British government officials. One of its top investigators is Senior Investigator Lau Kai-Yuen, who brought down countless corrupted officials. Just as he thought stability and prosperity are within reach, a new era of greed and riches takes him into a new battlefield of corruption.

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Ashes are all that remain when someone dies, as the rest of us carry on with the remembrance of the past, in the form of things that continue to burden us. Granny Di makes a meagre living out of recycling cardboard and found objects on the street, carrying the ashes of her late husband wherever she goes. As the going gets tough, she is reduced to stealing and selling sacrificial offerings from the funeral home. Ellen Liu plays the desolate and desperate Granny Di, rendering a lively and moving performance with a human touch. The short brings us through the nooks and crannies of Hung Hom district, chronicling a sorrowful tale about forsaken old age.

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Ching’s mother asks Ching to take her grandmother in until she is sent to a nursing home and that makes her ponder over her relationship with her mother. Three generations of women, each has their own share of pain.

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On his son's first birthday, Siu-cheung takes his family to the countryside for a family portrait when he suddenly receives a call from his mother. His father, a bird photographer suffering from dementia, is missing. Siu-cheung looks for him in the country parks where his father visits to take photos of birds. He fails to find his father, but finds himself getting closer to his father's inner world. He slowly gains more appreciation and understanding of his father whom he considered irresponsible. As he goes over his father’s works at home, a secret unveiled……

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Kuen is a lounge singer on Temple Street. Her son Kakei, now a university student, returns to Hong Kong for just a few days after emigrating to Canada with his father. Kuen's colleague Kit has to work overnight and enlists Kuen’s help to take care of her young son. During the sleepless night, Kuen and Ka-kei relive their past and envisage their future through another pair of mother and son. Under the bright sun, the cycle of life and family relationships continue, made all the more touching by the nuanced moments of care and concern between each other. SHAM Ka-ki of Weeds On Fire plays the son and renders a tender and layered performance full of subtlety.

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Angela has no doubt that "one of these days, father will come back from the outer space to take her away because he is an alien." This thought was instilled by Angela's mother who committed suicide due to severe mental illness. Ever under the watchful eyes of her grandmother and psychiatrist, Angela starts to hear voices from the sky. Weary and scared, the grandmother has no choice but to send Angela for hospitalization. Angela's belief and longing for reunion with her parents grow stronger than ever. Eventually, she takes a leap of faith in finding her own destiny.

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Like a cactus, a marriage is expected to last but not without a few prickly details. While the bride's mother is in bliss over her elder daughter's upcoming marriage, the bride's sister is doubtful after witnessing the groom on the street with another woman. As the bride discovers her fiance's affair, the torrent of events prompts a pointed conversation between the three women, highlighting their contrasted views on marriage and fidelity. The bride is veering towards a meltdown while her sister grows more skeptical of marriage.

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Liza, once a notorious mob boss, has always been strategically planning the career of her only son Yan. It is however never in Yan’s intention to follow her mother’s footsteps - instead he aspires to be a filmmaker. As a mob, Yan is highly incompetent, and his disappointing performance already messed up a simple drug deal. Liza desperately tries to save her most sought-after son, but she ends up, along with her son, breaking into her neighbour Mr. Chan's home. They accidentally steal the head of Mrs. Chan, whom they assume was murdered by Mr. Chan. They recklessly decide to blackmail Mr. Chan, and everything goes out of control. Will Liza and her beloved son survive this crisis?

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The poignant drama centers on Mr. Chan, a passionate secondary school teacher dedicated to students with special educational needs (SEN). Adapting the approach of inclusive education by placing SEN students in mainstream schools, Mr. Chan's unwavering dedication is challenged by those around him including the largely indifferent principal who scoffed at the name of the symptoms, the vice-principal who is more a deal maker than an educator, fellow bullying students and the parents who face numerous hurdles with strength derived solely from their enduring motherly love. An unflinching look of Mr. Chan's and the mother of a SEN student raise the question: how to care for the SEN students without leaving them high and dry?

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By a strange twist of fate, dutiful Hong Kong policeman Dan saves the life of the leader of a violent gang of armed robbers. When they commit another crime, Dan is determined to put an end to their activities. He works with the leader, whom the gang had betrayed, to engineer a plan to wreak havoc within the gang and let the gangsters kill one another. But it becomes increasingly obvious to Dan and to his colleagues that Dan is suffering from a severe mental disorder, and Dan finds that instead of upholding the law as a righteous police officer, he has now become a fugitive wanted for murder.

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Seated in the front row of a funeral hall are a boy and a teenager, the picture of the deceased yet to be placed. A florist, Tung (Ai Wai), is consumed by grief but puts on a front for others. The boy drops by at the florist and orders a custom floral arrangement - a teddy bear-shaped wreath with his favourite yellow flowers — to be readied in three days' time and paid with money saved up in his piggy bank. Tung forges an unlikely friendship with his young customer, an encounter that releases bottled-up emotions so that healing process can begin.

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A police detective must solve a brutal murder to prove his partner's innocence and unearth the truth behind Hong Kong's police force. The investigation brings him to an unlikely collaboration with an inspector from the Narcotics Bureau, whose motives may not be what they seem.

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Twenty years ago, Charlie came to Hong Kong to work as a domestic helper. Not only did she leave her home country Philippine, she also left her husband and her six-year-old son.Close to her retirement, she looks forward to going back home and living with her son again. However, her dream does not come true as she wishes…

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Chu (Mickey Chu Kin-Kwan) is a young fellow who's made it big in the business world, and makes headlines when he offers a large reward for a special $1000 bill with a personal inscription on it. The bill is a memento of his adolescent friendship with Ching (Athena Chu) and Ricky (Nicky Wu), who were once the best of friends. The three have since gone their separate ways, but Chu holds onto the bittersweet memories of their youth, when the three were inseparable, and saw only bright futures ahead of them. But misplaced emotions and the painful trials of youth split them apart, and now that Chu has finally made it big, he wants nothing more than to see the three reunited. Will the two respond to his impassioned plea to find them once again?

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This is apparently a true story about Ching Man Fei, played by the very pretty Alice Lau, who has been blind since six months old and lives with her family in Canton, China. She is about 17 in the role, though Ms. Lau looks older. Ching wants to study, to learn, but her family does not really want that. Throughout the first part of this film, people say to and about her that she is a burden, that she had to do something evil in a past life etc. The family maid Wo becomes the one person who truly believes in her, taking her around the city and answering her questions about everything and eventually being instrumental in her being able to study. The scenes together of Ching and Wo are terrific, you feel the love and trust between them. There are people who pass by in Ching's life, a blind beggar street girl named Jade and a radio actor, who helps her, but their characters are underdeveloped, as if they really were blips in this person's life (perhaps they were).

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