Nadia Bastianelli

Adapted, in our day, from the Isidore Ducasse’s (called Lautréamont) book, Les Chants de Maldoror (The Maldodor's Chants). The film is a cinematic language essay which "tells", in a non-linear narrative, the activity of a consciousness that confronts, relentlessly, with its brightest part as the most obscure.

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After the death of their industrialist father leaves them each with 49% of his company shares, two quarrelling brothers go to war for the remaining 2%.

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Alessia, a TV showgirl, tries to win the favor of an official. Amalia, a morning show host, satisfies the masochistic director in order to go to prime time. Stefania "works hard" to act in a risqué film by a famous director, but the part is stolen from her by her friend Beatrice, apparently only devoted to her studies.

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