Carmela Martínez Oliart

An intimate portrait of Spanish singer-songwriter Joaquín Sabina without his signature bowler hat, at night and with malice aforethought. Rugged, direct, and unflinching, director Fernando León de Aranoa captures Sabina’s hidden side over 13 years of filming, where the artist steps off the stage to reveal stories of misfortune, comedy, inspiration, and of pain.

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Rafaela, a teenager in a family with a housewife, inventor, and grandmother, navigates spooky mansions, sleepovers, and disabilities to mature as a group, individual, and poodle. She must save the world before her teenage years end and she can enter adulthood.

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The president of the government, a loyal, scrupulous, and neat man, gets stuck in a public bathroom without toilet paper in the middle of an election campaign. Helpless and unable to leave, he discovers what kind of people surround him. Only if he is able to overcome his scruples will he be able to save his throne.

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A look at the life and work of Spanish filmmaker and film critic Fernando Méndez-Leite, as he writes his memoirs and a novel with autobiographical resonances.

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Jesús Quesada, an incompetent executive, is appointed as the new director of a company in decline whose survival will now depend on both the ingenuity and ambition of his former colleagues.

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A young woman, who has inherited her grandparents' huge house, a fascinating place full of amazing objects, feels overwhelmed by the weight of memories and her new responsibilities. Fortunately, the former inhabitants of the house soon come to her aid. (An account of the life and work of Fernando Fernán Gómez [1921-2007] and his wife Emma Cohen [1946-2016], two singular artists and fundamental figures of contemporary Spanish culture.)

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Planet Earth, 9177. The remains of humankind live in a post-apocalyptic environment divided into only two social classes: the ruling king and the oligarchs who inhabit the Representative Building and the poor of the world who hardly survive in the slums built around it.

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In the middle of the night, José Luis, an Extremadura pig herder comes home covered in blood, insisting he has seen a tiger. Is he telling the truth – or improvising an outlandish alibi to hide that he was stealing three Iberian pigs?

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