Vincent Huguet

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“Manon is like any person who, strolling down the street one day, glances up at a second-story window and catches a glimpse of a different life,” explains Vincent Huguet about his staging of Massenet’s Manon, “a life that she suddenly desires ardently … and will do anything to have.” In his update of Prévost’s famous novel, Huguet demonstrates, with empathy and acuity, that Manon’s tale could really be anyone’s.

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The year 2019 marks the 350th year of existence of the Opéra de Paris, and the Opéra national is staging two exceptional shows at the Palais Garnier in the form of an inaugural gala. Under the direction of Dan Ettinger, the principal dancers, soloists, corps de ballet and orchestra of the Opéra national de Paris will perform extracts from famous ballets as well as some of the most popular opera arias. Soprano Sonya Yoncheva, tenor Bryan Hymel and baritone Ludovic Tézier are among the headliners. A magical experience!

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Stage director Vincent Huguet takes up eternal themes—liberation and courage, devotion and doubt, tragedy and acceptance—to stage three histoires sacrées (sacred histories) written by Marc-Antoine Charpentier more than 300 years ago. The economical use of a small instrumental ensemble over Latin vocal lines creates space for sublime surprises: more than abrupt mood changes or an unexpected fortissimo, we become attuned to the slightest dissonance, the delicate softness of instruments in unison, the briefest moments of silence. After three centuries, the drama of the work hits just as potently in the 21st century.

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