Joana Jabace

Téo, a solitary medical student burdened by the care of his paraplegic mother, becomes infatuated with Clarice, an aspiring screenwriter he meets at a barbecue. When she rejects his advances, he resorts to an extreme measure: drugging and kidnapping her. He forces Clarice—sedated and trapped as his passenger—on a road trip through the very locations she scripted in her screenplay, attempting to awaken her love through repetition and manipulation.

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A group of women gets together on social media to expose the sexual harassment they all suffered from a renowned specialist in reproductive medicine. The saga of perseverance and courage of these women begins when one of them decides to talk and reveal what was until then confined by the doctor’s office walls.

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The Bulhosa family lands a century later—this time in the 1930s, at the start of the Vargas Era—yet retains the mannerisms and all the eccentricity characteristic of the clan.

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Discussing the limits between good and bad, the plot is set in Rio de Janeiro and tells the story of Romero Rômulo (Alexandre Nero), an ex-politician that has a life less obvious then it seems.

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Four-episode series that addresses the theme of obsessive love and its effects on women who experience this condition.

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In 1934 two supposed brothers survived an avalanche in the Himalayas: the millionaire Franz Hauser (Bruno Gagliasso), who is saved by Buddhist monks, and Manfred (Carmo Dalla Vecchia), rescued by a team of climbers. Manfred returns to Brazil with a terrible secret: he sabotaged Franz’s equipment in order to take his place in the family business. After an exhaustive search, Ernest Hauser gives his son up for dead and appoints his bastard son as the director of the Hauser Group.

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Staying at home has become a form of survival in times of pandemic and the days seem to repeat itself. Now Murilo tries not to go crazy by touching life from the inside of the house.

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