Maxida Märak

The Sami people, mainly found in Russia and Lapland, continue their struggle against oppression and colonialism. For centuries, they have faced institutionalized racism, marginalization, and repression of their culture and language. Through activism, they have gained recognition and respect in recent years, but the struggle is not over. Through art and cultural resilience, the Sami assert their rights to exist and thrive in their ancestral lands.

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A Stockholm detective under internal investigation heads to a ski resort to unwind, until a young girl's disappearance compels her back to work.

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Exciting murder mystery game where participants are put to tough psychological tests to figure out who the traitors are. Tip: Don't trust anyone!

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The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

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Östersunds FK is a sensation in the world of football. After climbing to the Allsvenskan in record time, they became the first Swedish team to reach the Europa League playoffs. Behind their success lies, among other things, a well-known cultural initiative that has forced the football guys far outside their comfort zone.

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Kahina Zadi, 32, a French police officer travels to Kiruna in Sweden to investigate the bestial murder of a French citizen. Together with Anders, a Swedish prosecutor of Sami origin, she begins an investigation. Soon new killings start to happen and the first victim turns out to be the tip of a very dark iceberg. The victims seemingly have nothing in common more than that they are all being killed in a well-planned and vicious manner. In their hunt for the truth, both Kahina and Anders are forced to deal with their own past that they have repressed. A personal journey through a painful past becomes the key to succeed in preventing the violent killings that affects the small mining community of Kiruna.

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Nadja, a single girl living the big city life finds herself stressed out over the wish of having a child of her own as she realizes the biological clock is ticking. She is prepared to do almost anything to fulfill her dreams but finds out that the abortion laws are about to change. To qualify as a mum, within the next 30 days she has to find herself a husband. She already discovered that chances finding a husband willing to do this on such short notice are slim to none in the big city. Maybe it is easier on the countryside?

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"Så mycket bättre" is the Swedish version of the format "Beste Zangers". This is asinging reality show where each artist attempts to do their own version of another artists well-known songs, with each person getting an episode featuring all of their songs being performed by the other musicians. The artists spend eight days together at a hotel in Gotland, where they attempt to put their own stamps on the songs.

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På spåret is a popular Swedish TV game show broadcast on SVT since September 5, 1987. The show, which is intended to be humorous yet educational, has remained one of the most popular TV shows in Sweden, attracting an average of 2,150,000 viewers during the 2007 season. The all-time record was set in March 1990, when 3.7 million people tuned in to see the show. This means that nearly every second Swede saw the game show. På spåret is an original format developed by Ingvar Oldsberg for SVT, and he hosted the show for many years. Author and tennis legend Björn Hellberg was promoted from contestant to permanent Oldsberg sidekick in 1995 after winning for four straight seasons. Famous gourmet, restaurant-owner, and former contestant Carl-Jan Grankvist sat in for Hellberg during the 2004 season. In 2009, after 21 years, Oldsberg left and Kristian Luuk took over as the host. Björn Hellberg too decided to leave and was replaced with Fredrik Lindström.

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Allsång på Skansen is a Swedish tv show held at Skansen, Stockholm, every summer on Tuesdays. The audience is supposed to sing-along with musical guests to well-known Swedish songs. The show started in 1935 on a small scale - about fifty people in the audience. Today about 10 000–25 500 people come to each performance.

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