Juan Fernández Gebauer

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In 2017, playwright Marco Canale staged a play called La velocidad de la luz (“The Speed of Light”) in the Villa 31 slum. There, a group of indigenous elderly ladies recovered their traditions in order to explore their bonds with modern culture, religion, politics and their own memories. Three years later, Canale replicated the idea in Japan and structured this film, together with Juan Fernández Gebauer and Ignacio Ragone, that revolves around that experience.

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"There was a time when carob trees were our founthead of life. When you could serenely see rabbits, armadillos and many other species. The night that the white man appeared the black eagle warned us: 'Danger, Danger'

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Sometimes the links can be built from the passions. Sometimes those links can become passions. For Hugo, a solitary taxi driver from Buenos Aires, the total, absolute and exclusive passion is San Lorenzo, which is not only an active part of his past, but a healthy obsession that bathes that gives color to his life. Until a single mother and her son cross their path. Now there will be someone to share the passion with. Maybe something more.

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An experienced fisherman is hired to try to find something that, apparently, is simply a fantasy installed in society.

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The annual short film competition for directors organized and produced by INCAA presents seven new works.

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In 2017, playwright Marco Canale staged a play called La velocidad de la luz (“The Speed of Light”) in the Villa 31 slum. There, a group of indigenous elderly ladies recovered their traditions in order to explore their bonds with modern culture, religion, politics and their own memories. Three years later, Canale replicated the idea in Japan and structured this film, together with Juan Fernández Gebauer and Ignacio Ragone, that revolves around that experience.

Open details →