Emmanuel Hamon

How did an intimate film made on a modest budget win a Palme d'Or and attract 4 million viewers in Japan? With its principal craftsmen, including one-man band Hirokazu Kore-eda, we take a look back at a little gem of cinema made... with the family.

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Paris, spring 2015. Faustine travels to Syria with her little son to join ISIS; but, once in Raqqa, she soon realizes the hell she is gotten herself into. Her husband Sylvain quickly understands that the French government is powerless to help him, so he plans with some friends a high-risk extraction operation to get his family back.

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The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

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Edward Said was one of the great contemporary intellectuals of our time and a prominent spokesperson for the Palestinian cause. Shortly before his death in 2003, a French film crew spent several weeks with him and his family. The result is this intimate documentary that offers Said's reflections on how the experience of exile shaped the central ideas, the work and the struggles of this famous academic and activist. Speaking of his background, Said once told a journalist, "My sense of exile has been lifelong -- it's a question of articulating it," Selves and Others features the Said speaking about his nomadic childhood and his views on Eastern identity in the West and how the city of New York balances tradition with a sense of constant change.

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Two 19th-century opportunists become serial killers so that they can maintain their profitable business supplying cadavers to an anatomist.

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Bruno loved his job as a middle manager at a paper company, but optimistically views being laid off as an opportunity. After two years of searching for a comparable position, optimism turns to desperation. His wife works two jobs, and their marriage slowly deteriorates as their hold on the middle class slips away. Bruno concocts a grimly audacious plan to identify and kill his fellow job applicants so that he is the only qualified person left.

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How did an intimate film made on a modest budget win a Palme d'Or and attract 4 million viewers in Japan? With its principal craftsmen, including one-man band Hirokazu Kore-eda, we take a look back at a little gem of cinema made... with the family.

Open details →