David Vávra

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A report is fabricated accusing a successful businessman, Patrik Grossmann, of racism. When the media launches a full-blown campaign against him, the atmosphere gets so thick that anyone can kick him while he's down just to prove their morality.

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Eva Holubová, Tomáš Hanák, David Vávra, Milan Šteindler, Martin Dejdar, Jitka Asterová have all starred in early short films by Tomáš Vorl. Nobody knew them at the time. And they themselves had no idea that they would one day shine in the Czech film sky.

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A tragicomedy full of slapstick and vignettes, and even an unexpected shootout. A family of villagers moves up in the world - to the county seat. Dad works as a butcher at a meatpacking plant, mom is a checker at a supermarket. The daughter is at odds with her homeroom teacher, while the son - a vegetarian, anarchist, and avid pothead - is apprenticing as a butcher to please his father. The kid's in hot water with both his forewoman and the police. But dad isn't much of an example, letting himself be tempted by the charms of a lovely young butcher. However much mom tries - visiting the beauty parlor, her psychologist, or even the confessional - her husband shows his interest by moving out. Mom plots revenge. And somehow an imp gets mixed up in it all

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A computer programmer and his son are going out of the city for vacation.

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A sensual summer comedy for discerning audiences. In a small town with a nostalgic swimming pool, a variety bar, and a pink pastry shop, a couple in love, an aging playboy, a lifeguard, and a variety artist named Marčélo and his much younger wife Eliška are constantly fighting. Their encounters are full of jealousy and sensual love. Their relationship is disrupted by Marčélo's son Mican and, in particular, the sensual barmaid Hedvika. However, there is also the strange director Motýlek, who is in town to shoot a film.

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A series of performances by the Sklep theater.

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After two troubled but powerful men rape a young hitchhiker who happens to be a vet, she drugs them and removes their testicles.

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This sharp Czech soda first appeared on Czech Television screens on June 4, 1993, and for four years it fundamentally changed the concept of Czech television satire and pushed the boundaries of viewer tolerance into completely unprecedented, uncomfortable zones. The feature film summarized the most vivid episodes of the show and still feels like an uncompromising, comprehensive punch to the solar plexus.

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A series of theater performances in the basement.

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A short parody of Japanese samurai films...

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A young man is enchanted by a beautiful girl and does everything he can to impress her. However, he doesn't understand that she is just making a fool of him for fun.

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A bitter comedic-drama centering around Tomas, a former promising young director who must cope with a commerce driven world he no longer wants to participate in.

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A naive village girl, Valentýna, arrives in Prague and, under dramatic circumstances, becomes reluctantly entangled in the Karlín underworld as a novice prostitute controlled by the slimy gangster Pavouk and his bumbling henchman Milan. She repeatedly refuses the genuine support offered by the incorruptible mounted policeman Viktor Sokol, even as two eccentric observers serve as a choric commentary on the absurdities around them. Through parodic and poetic scenes, ranging from western-inspired mounted police sequences to a surreal “war” over exporting plastic gnomes, the film satirizes contemporary Czech society.

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Česká soda was a satirical TV show created by Febio for Česká televize. The show was aired between the years 1993 and 1997. Total number of 14 episodes was created plus two New Year's Eve specials and an 1998 full-length picture. Running time of one episode was approximately 15 minutes.

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Two inseparable friends, Vyžilý and Boudník, a village self-made talent and a not-so-successful professional theatre actor, want to make a living as entertainers. But they are running up against both the ceiling of their abilities and the disfavour of the approval authorities. The normalization era of the 70s and 80s does not favour anything distinctive and both heroes repeatedly experience setbacks. Although the story of a lost generation was planned at the end of the former regime, it was not released until 1990.

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The film is based on a legendary school film of Tomáš Vorel, called INg (1985). The storyline stays the same - a young engineer finds a new job and wants to work, this proves to be impossible in the last days of the communist era.

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